Floating Lives Vietnam Movie 2010
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Cast and Crew
Cast: Dustin Nguyen,Thi Hai Yen Do,
Lan Ngoc Ninh,Thanh Ha Tang
Director: Phan Quang Binh Nguyen
Writer: Ngu Nguy, Thi Ngoc Tu Nguyen (novel)
Producer: Thi Bich Hanh Ngo
Cinematographer: Tranh Nguyen
Release Date: October 22, 2010
Runtime: 113 min.
Language: Vietnamese
Country: Vietnam
World Premiere: October 2010
(Pusan International Film Festival)
AKA: Vietnamese: CÁNH ĐỒNG BẤT TẬN
Watch Floating Lives Online Free Movie Trailer and Floating Lives trailer watch online Free Movie wallpaper Watch full Movie Online Vietnam movie online Vietnamese movie online Romance movie Romantic movie online movie movie movie review movie story free Floating Lives Vietnam Vietnamese Film The film Directed by Phan Quang Binh Nguyen.
The Story:
“Floating Lives” centers around a peasant family living in the Mekong Delta and a man’s search for romantic redemption. The peasant family consists of the father Mr. Vu, daughter Nuong and son Dien. The family lives nomadicaly on a boat after the father burned their house down in retaliation for his wife’s infidelity.
One day, the children bring in a prostitute who was severely beaten by the townspeople .
In 1996, when Pusan opened South Korea’s first international film festival with British director Mike Leigh’s “Secrets and Lies,” neighboring Japan was preparing the ninth edition of the Tokyo International Film Festival.
Just a year earlier, Vietnamese director Anh Hung Tran — whose previous film, “The Scent of Green Papaya,” drew a 1994 Oscar nomination as well as the Cannes Camera d’Or — surprised the world when her drama “Cyclo” won the Venice Golden Lion.
It was a heady moment for Vietnamese cinema: Two years running, a director from a country with no international film festival of its own stole Asia’s share of the international spotlight from two far more mature film markets.
Since then, Vietnamese film has slinked quietly along while Korea has loudly boasted commercial and critical successes like Bong Joon-ho’s “The Host” and Park Chan-wook’s “Oldboy.”
Despite decades of deflation, Japan has seen its moviegoers prove as insatiable as its filmmakers are innovative. Yojiro Takita’s 2008 “Departures” won an elusive (foreign-language) Oscar (only the 16th ever awarded an Asian film) and China only just this year overtook Japan as the No. 2 box office market for Hollywood exports.
Each member of the autumn Asian festival trifecta will offer visitors a glimpse of the evolving state of their local film market and its players’ aspirations.
Pusan 2010 opens with “Under the Hawthorn Tree,” a romance from veteran Zhang Yimou, a nod to China’s rising importance as a source for box office growth and potential co-production finance. Tokyo 2010, flaunting market maturity with a website in Japanese, English, Chinese, Korean, Thai and, last but not least, Vietnamese, opens in Hanoi on Oct. 17.
Just getting going, organizers in Hanoi have yet to announce their festival’s opening film, a Vietnamese release that at press time was still undergoing review by government censors. Here’s a look at what to expect this year at three of Asia’s most prominent film events. (J.L.)
Floating Lives Movie Review:
This thoughtful Australian-produced drama centers upon the experiences of the Chans, a Hong Kong family who emigrates to Sydney Australia one year before Mainland China is to take over the island city. Ma and Pa Chan choose to move to Australia with their two adolescent sons because that is where Bing, their second daughter lives with her husband. Their eldest daughter Yen lives in Munich with her German husband. Their eldest son, Gar Min (the family playboy) must remain in Hong Kong until his immigration papers clear. The Chan’s arrive at Bing’s home and find it cold, ultra-safe and utterly uninviting. Bing wants to fit in to Aussie society quickly and insists that her younger brothers speak English only. She also makes very sure her parents understand how different and dangerous Australia, with it’s deadly spiders and vicious dogs, can be. Though the boys quickly find friends and a place in school, Ma and Pa Chan seem disoriented. Things do not improve when Yen and then Gar Min come visiting with all of their many problems. The story is filmed in Cantonese with English subtitles. ~ Sandra Brennan, All Movie Guide
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