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Cast and CrewCast: Mia Wasikowska,Jamie Bell,
Su Elliot,Holliday Grainger,Tamzin Merchant,
Amelia Clarkson,Craig Roberts,
Sally Hawkins,Lizzie Hopley,
Jayne Wisener And Others
Director:Cary Fukunaga
Writers: Charlotte Brontë (novel), Moira Buffini
Produced by: Mairi Bett.... co-producer
Sasha Harris.... line producer: re-shoots
Christine Langan.... executive producer
Alison Owen.... producer
Paul Trijbits.... producer
Original Music by: Dario Marianelli
Cinematography by: Adriano Goldman
Film Editing by: Melanie Oliver
Genre: Drama | Romance
Release dates: 11 March 2011
Jane Eyre Movie English Movie Picture Jane Eyre Movie – Hollywood Movie Review : English movie online Trailer movie review movie story Watch Free Movie Online and Download Free Wallpaper
Movie Plot summary:
Mia Wasikowska (“Alice in Wonderland”) and Michael Fassbender (“Inglourious Basterds”) star in the romantic drama based on Charlotte Bronte’s classic novel, from acclaimed director Cary Fukunaga (“Sin Nombre”). In the story, Jane Eyre flees Thornfield House, where she works as a governess for wealthy Edward Rochester. As she reflects upon the people and emotions that have defined her, it is clear that the isolated and imposing residence – and Mr. Rochester’s coldness – have sorely tested the young woman’s resilience, forged years earlier when she was orphaned. She must now act decisively to secure her own future and come to terms with the past that haunts her – and the terrible secret that Mr. Rochester is hiding and that she has uncovered…
Movie Info:
Mia Wasikowska (“Alice in Wonderland”) and Michael Fassbender (“Inglourious Basterds”) star in the romantic drama based on Charlotte Brontë’s classic novel, from acclaimed director Cary Fukunaga (“Sin Nombre”). In the story, Jane Eyre flees Thornfield House, where she works as a governess for wealthy Edward Rochester.
As she reflects upon the people and emotions that have defined her, it is clear that the isolated and imposing residence and Mr. Rochester’s coldness have sorely tested the young woman’s resilience, forged years earlier when she was orphaned. She must now act decisively to secure her own future and come to terms with the past that haunts her and the terrible secret that Mr. Rochester is hiding and that she has uncovered.
Movie Review:
With the upcoming March 2011 release of a NEW Jane Eyre I thought I'd review the past versions. To some outside the costume drama circles it might seem strange or ridiculous that there are so many versions of the same story, but those in the know know that British literature lends itself to wonderfully different interpretations. Sadly, not all interpretations are created equal. If you'll permit me I'll now give you my opinions about five versions and what I think of what I've seen of the new Jane Eyre.
Ok, so truth be told the first two reviews are going to be rather short and broad b/c I just watched the pivotal scenes on Netflix. First up, Orson Welles and Joan Fontaine in the 1943 movie. By pivotal scenes I mean the proposal and the reunion. I watched a few more from this version because I didn't mind it too much, but here are my impressions, characterization wise, costume wise, production wise and overall wise.
Characterization: Run of the mill. You'll find with most Jane Eyres that Jane, b/c she's supposedly so plain and small, is played very subdued and deadpan. Rochester was pretty similar, VERY deadpan. There was very little fire and passion, but Welles made up for it with his RIDICULOUSLY sexy voice. He was rather captivating but she was nothing to scream about, too beautiful.
Costumes: Run of the mill. Made in 1943 the costumes had a very 40s feel to them, mostly in the menswear (what's with normal pointed collars? I should NOT see Rochester's neck, weird). Jane's hair was beautiful in a perfect, subdued, coming out of the 30s, into the 40s, looking historical sort of way. The costumes were more 1840s than 1830s which is when the novel is set (written in the 40s, tells the story of ten years prior).Production: What you'd expect of a 1940s romance, very Casablanca. Lots of maudlin shots of the heroine with glistening tears and the man looking brooding.
Overall: It seemed like a pretty straight interpretation of the novel, with exact lines from the book. It really had the subdued feel of a 40s movie.
Production: Excellent, of course. The modern BBC productions are unparalleled. The locations were breathtaking, the set dressing meticulous and the attention to detail was greatly appreciated. The supporting characters, with their own personalities and new characterizations and scenes were enjoyable and made our time away from Jane and Rochester bearable.
Overall: My favorite, duh. It is a very modern version. Time has been played with, esp with the after the wedding flashbacks. I don't mind it. This version is a lot more smoochy than any others. I don't mind. At four glorious hours this version also takes its time, but doesn't dwell too much with little Jane, a vital portion of the story I know, but once you've read it you don't need the entire back story on film. I just love this version for all its little extra touches which I feel don't take away from the story or the original novel.
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