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Cast And Crew Cast: Emily Browning, Vanessa Hudgens,Abbie Cornish, Jamie Chung,Jena Malone, Oscar Isaac,Jon Hamm,Scott Glenn Director: Zack Snyder Producers: Deborah Snyder, Zack Snyder Music Director:Tyler Bates, Marius De Vries Cinematography:Larry Fong Editing by:William Hoy Studio: Legendary Pictures Cruel and Unusual Films Distributed by: Warner Bros. Budget: $85 million Release Date: 25 Mar 2011 Genre: Action,Thriller Language: English Country: Usa
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Cast And Crew Cast:Dharmendra, Sunny Deol,Bobby Deol, Kulraj Randhawa,Anupam Kher, Mukul Dev,Himanshu Mallik, Amit Mistry,Digvijay Singh, Poonam Sinha,Sucheta Khanna, Director: Samir Karnik Producers: Nitin Manmohan, Samir Karnik Music Directors:Sandesh Shandilya, Rahul Seth,Rdb Lyricst: Irshad Kamil,Rahul Seth Release Date: 14 Jan 2011 Genre: Comedy Language: Hindi
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Yamla Pagla Deewana Synopsis: Yamla Pagla Deewana movie is about Sunny's journey into his past and into a culture that he had left behind. Dharmendra and Bobby Deol play a father-son con-men duo in Varanasi. Sunny plays an upright man married to a Canadian living in Canada who gets to know after two decades that he has a father and brother in Varanasi.
Yamla Pagla Deewana Review: In the 1970s and 1980s, Bollywood churned out hardcore masala films by the dozens. Those films appealed to the 'Balcony Class' as well as the 'Stall Audience' [terminology used for dissecting the audience then]. Even today, films like SHOLAY, AMAR AKBAR ANTHONY, NAMAK HALAAL, DON, ROTI KAPADA AUR MAKAAN, DHARAM-VEER, MUQADDAR KA SIKANDAR et al, the most popular films of that era, appeal to the guy riding an auto rickshaw as well as the CEO of a multinational company. Masala films, in my opinion, can never go out of vogue. The gargantuan success of films like DABANGG and GOLMAAL 3 last year endorses this viewpoint.
The reason why masala films tick to this date is because they have the power to entertain. I've often heard my non-film friends comment that cinema, for them, symbolizes an outing with their family. They want to be transported to a world of make-believe in those 3 hours and forget their worries/sorrows/trials/tribulations in the process. YAMLA PAGLA DEEWANA does that and does so most convincingly.
YAMLA PAGLA DEEWANA is a tribute to the cinema of yore. Every rule in the book that made hardcore commercial films major money spinners then have been read minutely and integrated in the plotline of this one. Generally, movie makers often claim that their film is hatke, that it boasts of stuff that the viewer hasn't watched on screen before, but YAMLA PAGLA DEEWANA makes no such claims. It is old wine bottled and packaged in a new avatar.
What makes YAMLA PAGLA DEEWANA work? A variety of reasons, if you ask me. One, watching the Deol parivaar in one frame is an experience in itself. Two, drama, emotions and light moments are smartly integrated in the narrative. Three, the punches [most of them] are thoroughly enjoyable. Four, the entertainment quotient. Most importantly, it delivers what it promised in its promos: Laughter and amusement. It's a film that caters to the aam aadmi, who's keen on having a good time at the movies. It's definitely NOT for the hard-nosed critics or fakes who masquerade as champions of art house cinema.
But YAMLA PAGLA DEEWANA has a flipside too: The romantic sequences are a bore and the music, barring the title track and 'Charha De Rang', is a earsore. Even the climax fight is very, very formulaic. But, thankfully, the plusses outnumber the minusses by leaps and bounds here. The second half, to be specific, salvages the show to a major extent.
Final word? The fans of Deols, even those who had drifted away, are sure to lap it up in a big way. Triple masti, triple mazaa, triple magic... Go, get entertained without using your intellect. The film begins in Canada, travels to Banaras and eventually makes its way to Punjab. The father-son duo of Dharam Singh and Gajodhar Singh [Dharmendra and Bobby Deol] are the biggest con-men in Banaras. Their happy-go-lucky existence involves drinking and pulling off hilarious cons on unsuspecting people. The only hitch in their perfect albeit notorious life arrives in the form of Paramveer Singh Dhillon [Sunny Deol].
A brawny and honest NRI from Vancouver, Paramveer lands up in Banaras claiming to be Gajodhar's elder brother separated at childhood. The duo willingly accepts Paramveer into their fold only to exploit his muscle power to serve their con games.
Meanwhile, Gajodhar falls in love with Sahiba [Kulraj Randhawa], a beautiful girl from Punjab. As their romance reaches its peak, her brothers [Anupam Kher and company] arrive and forcibly take her away. Paramveer saves the day with a crazy plan to win the girl back for Gajodhar, which leads them to the rustic heartlands of Punjab.
Like I pointed out at the very outset, YAMLA PAGLA DEEWANA borrows from here, there, everywhere. You can draw parallels with Mirza-Sahiba, the legendary folklore that is popular to this date. Memories of BUNTY AUR BABLI and also DILWALE DULHANIA LE JAYENGE come alive while watching this one. The climax, of course, is straight out of 1970s cinema. In fact, writer Jasvinder Singh Bath makes it a point to offer the viewer a new punch every 15/20 minutes. Of course, some are enjoyable, some aren't.
From the writing point of view, the first half leaves you with mixed feelings. The undercurrent of emotions is electrifying and how one wishes director Samir Karnik and the writer would've tapped this aspect, instead of wasting precious celluloid on the romance between Bobby and Kulraj Randhawa. On the brighter side, the action at the start - Sunny saves Dharmendra and Bobby from Johny Lever's goons - is dazzlingly executed. It's aimed at the masses entirely. Also, a number of comic scenes tickle your funny bone in this hour.
The film redeems itself in the post-interval portions. The graph zooms upwards the moment the focus shifts from Banaras to Punjab. The introduction of Anupam Kher's character, his assorted brothers, the sequence when Sunny and Bobby ask for Kulraj's hand in marriage, the arrival of Dharmendra and also Sunny's Canadian wife Emma Brown Garrett subsequently, Sunny's speech in English at the election rally... the fun never stops. Of course, the villain's track [Puneet Issar] is an obstacle and the climax fight, like I pointed out earlier, tries so hard to be funny. Also, the film could've done with trimming.
Director Samir Karnik has targeted the film at the hoi polloi and that segment of moviegoers would love his effort. In fact, the film has several mass-appealing moments that would either send the masses in a tizzy of excitement or make them clap in delight. However, the clap-trap moments are more towards the second hour. Writer Jasvinder Singh Bath seems inspired by the cinema of Manmohan Desai and Prakash Mehra and if one overlooks the hiccups in the first hour, his screen writing does justice to the genre of the film. The songs aren't appealing, except for the remix version of 'Yamla Pagla Deewana', the yesteryear hit and 'Charha De Rang', which is melodious to the core. 'Tinku Jiya' should appeal to the front-benchers. The cinematography [Kabir Lal] is captivating; the lush green locales of Punjab are well captured on moving picture. Dialogue are well worded. The action sequences [Analarasu] are deftly executed.
Casting the Deols together is a trump card and their real-life bonding reflects delightfully on screen. Dharmendra is endearing and charming as ever. He enacts his part with effortless ease. Sunny is wonderfully restrained. The audience will love him as a sober guy and the ones who expect the brawny star to flex his muscles or raise his voice [the angry man persona] won't be disappointed either. Bobby is equally convincing, matching up to his iconic father and brother every time they appear on screen together. Kulraj looks beautiful and makes an extremely confident big screen debut.
Anupam Kher is outstanding. This is amongst his most lovable acts. Johny Lever is funny in a brief role. Nafisa Ali is graceful as ever. Sucheta Khanna is first-rate. Amit Mistry does very well. Mukul Dev should stage a comeback to movies with this one. He's too good! Himanshu Malik is okay. Puneet Issar is wasted. Emma Brown Garrett [Sunny's wife] is amazing. Ditto for the two child artists, enacting the role of Sunny's kids. Ajay Devgn's voiceover at the start sets the tone for the film.
On the whole, YAMLA PAGLA DEEWANA is a hardcore mass entertainer that fulfils the expectations of the aam junta. Those who love Deols will adore this one, while those who don't, won't ignore it either. The film works big time for its mass-appealing second half and loads of entertainment it has to offer. The target audience is the masses and it is this segment of movie-going audience that should carry this film to success. Business at single screens should be exceptional, while the film should set new benchmarks in North India [Punjab specifically]. Internationally too, the film should perform the best in U.K., U.S.A. and Canada.
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Cast and Crew Cast: Vidya Balan, Rani Mukherjee,Neil Bhoopalam, Rajesh Sharma,Shireesh Sharma Director: Rajkumar Gupta Producer: Ronnie Screwvala Music Director: Amit Trivedi Lyricst: Amitabh Bhattacharya Singers: Vishal Dadlani, Shilpa RaoRaman Mahadevan, Aditi Singh Sharma Sonu Kakkar,Tochi Robert Bob Omulo, Anushka Manchandani Meenal Jain,Joi Barua Release Date: 07 Jan 2011 Genre: Social Language: Hindi Certification: A
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No One Killed Jessica Synopsis: No One Killed Jessica movie is a fast paced thriller set in the hub of political power, New Delhi. It is the story of two women and their relentless pursuit of justice that mobilizes an entire nation to prove that in democracy there is no greater power than the power of the people.
Movie Review: Most storytellers entertain, a few enlighten. A scattering number of celluloid visionaries entertain as well as enlighten. Rajkumar Gupta fits into that exceptional variety of film-makers that opens up thought-processes about the condition of the homeland without losing the cinematic elements that constitute a film.
To reconstruct on celluloid a true occurrence that is oven fresh in public reminiscence is not a trouble-free mission, but Gupta takes up this colossal challenge of placing together the controversial and litigious story of Jessica Lal's murder case on celluloid. However, having sensitive and explosive material on hand is not enough. The execution of the subject is of paramount importance. Fortunately, the one-film-old director interprets the events of the murder case in remarkable style and form and makes it a cinematic experience that haunts you even after the film has concluded. Gupta does complete justice to the spirit of the story, which had created headlines and still remains well etched in our memory to this day.
A few monsoons ago, Rajkumar Santoshi's Halla Bol commenced with a shootout sequence at a party. Of course, Halla Bol wasn't about this incident alone, it was just a tiny segment in the narrative. No One Killed Jessica focuses on this true-life incident [with no deviations] and its strength lies in the fact that it sucks you into the world of dirty politics and power games as soon as it unfolds.
No One Killed Jessica is not Gupta's first and foremost endeavor at illustrating a real incident that shook the nation. Even in his directorial debut Aamir, Gupta depicted a common man's [Rajeev Khandelwal] hard try at combating terrorism and violence. However, that was a work of fiction. But No One Killed Jessica is a different ballgame altogether because reams of paper and hours of television footage have been devoted to this case. Thankfully, Gupta makes it an engaging thriller rather than relying on the docu-drama format.
No One Killed Jessica belongs to the unique hard-hitting, gut-wrenching genre of cinema. Script-wise, the director has tried to remain faithful to the episode that occurred during that fateful night and also what transpired subsequently, but besides depicting reality on celluloid, he adds the thrill element to the plotline, which makes it very viewer-friendly. The events have been chronologically put forth and the daring story of two women who challenged the system hits you like a ton of bricks. The film truly celebrates the human spirit and also reflects a vital change in the society and in the attitudes of people.
Final word? This gutsy film deserves a standing ovation!
New Delhi, 1999. The guns at Kargil are still blazing when another one goes off, this time in the nation's capital. Jessica [Myra], a young attractive model, trying her hand at bartending, is shot dead at a celebrity party. Her crime - refusing to serve a drink after closing hours. The culprit Manish [Mohammed Zeeshan Ayub], son of a prominent politician, inebriated by a deadly cocktail of alcohol and a sense of entitlement, pulls the trigger in a fit of rage.
With 300 of Delhi's swish set present at the party, many of whom are witnesses to the murder, Manish looks all set to go to the gallows. Except that it doesn't quite turn out that way. But two women, Jessica's sister Sabrina [Vidya Balan] and the feisty TV reporter Meera [Rani Mukherjee], decide to outwit Manish and his politician-father [Shireesh Sharma] at their game. Over the course of seven years, the case goes through several stages of legal complications. Witnesses turn hostile one after another and the few who don't, became inconsistent with their versions.
Manish is acquitted, leading to a fierce public uproar and a relentless campaign by the media, which eventually leads to a life sentence for Manish.
A film like No One Killed Jessica pricks your conscience and makes you think. In fact, it's the kind of film that will lead to debates and discussions. What was more appalling - the model's slaying or the slapdash method in which the suspected assassins were brought to justice? What's even more scandalous is that almost immediately after the killing, the police identified the slaughterer and it seemed like an open-and-shut case. But it wasn't.
Gupta deserves kudos for choosing a thorny and contentious story to interpret on celluloid, but he deserves a few extra brownie points for handling the material with aplomb. His prowess and competence is visible all through the film, but more specifically in the electrifying courtroom sequences and also when Rani decides to take up this issue. The candle light protest at India Gate in particular is simply overwhelming.
Since it is based on a real story that occurred in Delhi, Gupta has shot the entire film in the city. The characters are real and so are the locations and that's what makes the goings-on very identifiable, besides bestowing an authentic feel to the film. Like his earlier film AAMIR, No One Killed Jessica has been shot in guerrilla style and that makes the viewer feel that he's actually watching the drama unfold in front of his eyes, that he's a spectator in the proceedings. Gupta also ensures that the two pivotal parts remain true to their respective characters.
Any shortcoming? Yes, if Gupta would've trimmed the film by at least 10 minutes, the impact would've been much stronger.
A hard-hitting drama, generally, doesn't have scope for music. But Amit Trivedi joins hands with Amitabh Bhattacharya, the wordsmith with whom he delivered the fabulous soundtrack of Dev D, and together they deliver a solid soundtrack. 'Dilli Dilli' has already won hearts of audiences and the remaining songs too leave an impact. Anay Goswami's cinematography is first-rate. Dialogue, also penned by Gupta, are realistic to the core.
Gupta may be young and relatively new to the fray, but that does not deter him from getting the best and most appropriate cast for his second outing and I am sure, it's only thanks to a potent and persuasive script. Vidya has been basking in the glory of films like Paa and Ishqiya lately, which gave her ample opportunity to prove her dexterity. She gets a wonderful opportunity to prove her prowess yet again. Vidya plays the iconic Sabrina Lall brilliantly, reliving some very stressful and arduous chapters of Sabrina's life. Balan is poignant yet controlled and projects an imposing figure of maturity, refinement and veracity. This film completes a hat-trick of her commendable performances.
In the role of a spirited and audacious journo, Rani, who smokes non-stop, flings swear words every now and then and who rebuffs being a voiceless spectator when the culprits go scot-free, is simply exceptional. She sinks her teeth into the character, giving it the much required pragmatism that it necessitates. Her performance is bound to be talked-about in days to come. In fact, it would be unfair if I do not acknowledge the fact that she appears very much at ease mouthing abusive words and lurid language.
Neil Bhoopalam, the key witness, is fantastic. Especially in the sequence when he comes for an audition of a film role and blurts out the truth unsuspectingly. Mohammed Zeeshan Ayub, the main accused, is very good. Myra, as Jessica, is natural. Rajesh Sharma, the investigating police officer, is excellent. Satyadeep Misra, as Rani's boss, gives a fine account of himself. Shireesh Sharma, the politician-father, is perfect.
On the whole, No One Killed Jessica is a poignant story of two women's resolve for justice. It's a remarkable blend of facts and fiction inspired by a series of real-life episodes, which has thankfully not been presented as a tedious biography or in a mind-numbing docu-drama format. It's more of an engaging thriller which has the right doses of histrionics, tautness, anguish and thrills. The emotional and disturbing journey, the strength of the common man and the relentless endeavor of the media have all been most compellingly put together on moving picture. In times of yore, a lot of films have been attempted on real-life incidents, but haven't struck a chord so effectively. No One Killed Jessica should shatter this jinx. This heroic and daring film truly deserves a prolonged applause.
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Cast And Crew Cast:Vatsal Seth, Tulip Joshi,Mukesh Tiwari, Director: Manish Gupta Producer: Vicky Tejwani, Kailash Raj Gandhi,Gurpal Singh Music Director:Himesh Reshammiya Release Date: 14 Jan 2011 Genre: Social Language: Hindi
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Hostel Synopsis: Hostel movie is a shocking eye-opener about this evil practice and is a wake-up call for all of us. Few Indians are aware of the number of suicides that occur in Indian Hostels as a result of the phenomenon termed as 'Ragging'. This sadistic practice has become a ritual wherein students are beaten up, stripped, paraded naked, starved, tortured, molested and even raped by their seniors.
Since victims of ragging find it humiliating to report sexual abuse to their parents or others, most ragging-related crimes go unreported. Sadly, these very students - who suffer silently at the hands of their seniors - in turn, vent their frustrations by ragging their juniors in the following years. Thus, this cruel practice continues year after year and has claimed (and is still claiming) the lives and careers of innumerable students.
Songs of Hostel -Music Review: Rishta Bano(Unplugged)-Raaj And Monali Bandegi (Remix)-Virag Mishra Heer (Unplugged)-Brijesh,Shandilya And Sasha Haunsla-Shibani Kashyap ,Rana M Rishta_Bano-Raaj,Monali Bandegi-Virag Mishra Heer-Brijesh ,Shandilya & Sasha Songs are good to hear and if the movie does well, the songs are sure to catch up.
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Cast And Crew Cast:Rajesh Vivek, Shankar Sachdev,Ashraf Ul Haq, Rajinder Sethi,Shilpa Shukla, Director:Aman Mihani Producer: Aman Mihani Music Directors:Afsar, Sajid Ali, Aanamik Lyricsts: Panchhi Jalonvi, Kumaar Singers:Neeraj Shridhar,KK Neuman Pinto,Shilpa Rao Release Date: 14 Jan 2011 Genre: Comedy Language: Hindi
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Mumbai Mast Kallander Synopsis: Mumbai Mast Kallander is story of dreamers, achievers, and story of go-getters. The story is about a gripping saga of two brothers - Ram and Shyam - small town boys, who land in Mumbai to fulfill their dreams of becoming celebrity dons. It also features the life and love of two live-in friends Rhea and Meghna.
Rhea whose life and dream is her salon while Meghna, who dreams of nothing but the Oscar awards. Mr. Raheja, a builder, is a spoiled brat whose father is Bade Bhayia. Don Shensha is the complicated killer who loves Amitabh Bachchan but hates laughter. When their path meets and they come across each other you get Mumbai Mast Kallander.
Movie Review: The story revolves around the kidnapping of Raheja’s son Adi a spoilt brat Raheja wants him kidnapped to bring him in line Rhea and Maggie want to kidnap him to extort money from Raheja and Adi wants himself kidnapped to pay off a debt It may sound convoluted but the introduction of characters in the beginning makes it easier to follow the plot But the story moves so slowly that you look around to see if anyone else is yawning with you The whole first half is used up just to introduce the characters and their desperate situations Though Mumbai is the underlying theme of the film the story could have worked anywhere else in India In fact the Mumbai connection seems unnecessary and forced The cast tries hard to show its desperation as go-getters in Mumbai but fails miserably The director is so chary in exploring the chemistry among the lead pairs that much of the romance is seen only in dream sequences of songs Of the lot the Amitabh-crazy don Shahenshah steals the show Over the top yet funny he mouths Bachchan’s dialogues with tears in his eyes and a gun in hand Shukla should explore her range with stronger more challenging roles Teenu as Maggie is clearly overacting and her dream in the film of winning an Oscar looks like a questionable goal in real life Male lead Mohsin’s acting skills are impressive while Muzzi has good screen presence Debutant director and producer Aman Mihani has made a forgettable attempt with Mumbai Mast Kallander Reasons to go catch this one in a theatre are too few and far between You could wait for its television release without missing too much.
Watch Online Salman Khan No. 1 eligible bachelor in Bollywood Thursday, January 13, 2011, 15:20 [IST]
Tags: actor salman khan, salman no 1 irresistible, most eligible bachelor in bollywood, ranbir kapoor, shahid kapoor, neil nitin mukesh
Bollywood is well known for all the macho hunks that rule the roost with a perfect attitude and have the name, fame and of course oodles of talent. However, amongst the many cool dudes there are some very hot and irresistible hunks that are yet single and are not just ready to mingle with every Jane around.
Some of these hunks who are yet hot on the list of eligible bachelors are certainly even today considered any woman’s dream man and the list is certainly mind blowing. So, which are the hunks that rule millions of hearts and can have millions of girls falling all over them at the drop of a hat?
Let’s take a look. The hottest eligible bachelor is undoubtedly the dashing Salman Khan. This is one hunk who has managed to remain no.1 on the list of the most eligible bachelors of Bollywood, since years at a stretch. Salman Khan, known for his very generous attitude combined with his drop dead looks, his great physical fitness and above all his extremely great sense of humor is an attraction for women of all generations even today. There are millions who would give their right hand to get close to this deadly hunk, never mind his string of affairs with B-Town hotties.
Next in line is Ranbir Kapoor. This chocolate boy has the looks of a real lover boy and despite his chain of link ups and break ups, he still remains one of the hottest in the list of eligible bachelors in Bollywood.
Shahid Kapoor, this is one star who has had his name linked with almost every heroine that he has worked with. Yet his image as the hot and happening young bachelor has not waned. Shahid is loved for his young boy charm and impish grin which makes him hot property in this list of bachelors.
Neil Nitin Mukesh is yet another hot hunk who has girls swooning over his squeaky clean image and clean white skin. This swanky star has very few link ups, in fact not even one to be remembered and his name is certainly hot in the list of men who are most adored by young girls who want a decent life partner. Well,so much for Bollywood and its dashing young hot bachelors.
Watch Online Keira Knightley splits from boyfriend Rupert Friend Thursday, January 13, 2011, 12:00 [IST]
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London (ANI): Keira Knightley has broken up with her boyfriend of five years, Rupert Friend. The ‘Pirates of the Caribbean’ star, 25, was left heartbroken even though the decision to end the relationship was mutual. "Yes, they have broken up,” the Sun quoted Keira's father Will Knightley as saying.
"They were together for quite a long time and it is always hard breaking up. She''s focused on her work,” her father added. The British actress met Friend in 2005 on a screen adaptation of classic story Pride and Prejudice. But the pressure of being constantly in the public eye finally took its toll on the couple.
Cracks started to appear in mid-December when Friend arrived without the actress at the London Coliseum gala production of The Nutcracker. He took his mother Caroline instead. The couple split after a heart-to-heart before Christmas.
But a pal said: "Rupert hates the idea of being followed and photographed. Keira partially had to accept it because of her rising profile.” The pal added, "It affected the harmony in the relationship. The pressure took its toll and both decided they should go their separate ways. They will remain life-long friends."
Watch Online Katie Price flirting with Amir Khan after marriage split Thursday, January 13, 2011, 16:26 [IST
Tags: katie price jordan, alex reid announce split, jordan flirting, british boxer amir khan, reid crumbling marriage, former glamour model, olympics champ party, london film premiere
London (ANI): It’s just a matter of time for Katie Price a.k.a Jordan and Alex Reid to announce their split officially. The Sun now reports that Jordan’s flirting with British boxer Amir Khan was the final straw for Reid in their crumbling marriage.
The 32-year-old former glamour model was spotted cozying up with the 24-year-old Olympics champ at a party after a London film premiere last August. And ever since heartbroken Reid has known he is fighting a losing battle to keep his wife.
His despair deepened last month when Jordan cheered Khan from the ringside as he defended his world light welterweight crown against Argentinian Marcos Maidana in Las Vegas. Jordan sported new blonde locks at the bout, which Alex took as a signal she was starting a new life without him.
Muscleman Reid is also said to be upset about Jordan’s closeness to her horse trainer Andrew Gould. “The breaking point for Alex came when he saw stories about Katie and Amir Khan,” said a friend. “Then when Katie announced she was running the London Marathon with Andrew Gould this year, it was another nail in the coffin,” he added.
Watch Online Lindsay Lohan escapes from rehab assault case Thursday, January 13, 2011, 16:18 [IST]
Tags: actress lindsay lohan, rehab assault case, mean girls, superior court, dui probation, palm desert police department
New York, (ANI): Mean Girls star Lindsay Lohan’s alleged rehab assault has been put aside for the time being, with the judge reviewing the case deciding to take no action against her.
According to Radar Online, Los Angeles Superior Court Judge Elden Fox decided not to pursue the matter after reviewing the investigation by the Palm Desert Police Department into 24-year-old Lohan’s alleged use of drugs or alcohol during her three-month rehab stay.
Police launched an investigation into whether Lohan violated the terms of her 2007 DUI probation after she was accused of pushing a Betty Ford Center employee, who tried to administer Breathalyzer tests after a suspected drinking session on December 12. Dawn Holland, the chemical dependency technician at the rehab centre in question, made a battery complaint against the actress.
“Judge Fox read the report (from the Palm Desert Police Department), and put it back in Lohan’s file. Right now, based on what he has read, he won’t be taking any action against Lindsay,” the New York Post quoted a source as telling the website.
Watch Online Natalie Portman poses topless for perfume ad Thursday, January 13, 2011, 11:44 [IST]
Tags: actress natalie portman, newest face, french fashion house, christian dior, pose topless, new miss dior cherie perfume ad, black swan actress, photographed wearing nothing, black headband
London (ANI): Engaged mom-to-be Natalie Portman, who is the newest face of French fashion house Christian Dior, has gone topless for its new Miss Dior Cherie perfume ad. The sexy ‘Black Swan’ actress has been photographed wearing nothing but a black headband, reports the Daily Mail.
She was unveiled the new face of Christian Dior last month. Sofia Coppola will direct screen ads for her campaign. Portman, expecting her first child with choreographer Benjamin Millepied, was snapped by photographer Tim Walker for the ad campaign, due to appear in March.
The 29-year-old philanthropist has even got the iconic label to support some of her charitable causes. “I had an aversion to selling things. And then I realised both that there could be a company that I would be proud to represent, and also that they would really support the things I believe in,” she said. “It’s really wonderful to have this established, elegant brand willing to do great non-profit work,” she added.
Cast And Crew
