Love Ranch English Drama Movie 2010 Cast and Crew Cast: Joe Pesci, Helen Mirren, Scout Taylor-Compton, Gina Gershon, Bryan Cranston Director: Taylor Hackford Writer: Mark Jacobson Country: US Genre: Drama Theatrical Release Date: June 30, 2010
Plot: A drama centered around a married couple who opened the first legal brothel in Nevada. Based on real events.
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Synopsis: Inspired by the story of Joe and Sally Conforte, proprietors of the Mustang Ranch, the first legalized house of prostitution in Nevada. Boxer Oscar Bonavena was gunned down at the ranch in 1976, suspected of having an affair with the madam Sally. Helen Mirren and Joe Pesci star as a married couple whose faithfulness is tested with deadly results after starting Nevada's first legal brothel in this Capitol Films drama. Mark Jacobson adapts the screenplay based on a true story that ended with the death of boxer Oscar Bonavena at the Mustang Ranch in 1976. As a wee lad, there were countless times I'd think about a song and -- poof -- it would almost instantly come on the radio. Well, that kind of happened today since it was less than a week ago I lamented the lack of pictures from Helen Mirren's upcoming movie "Love Ranch." Ya know, the one where she plays a Nevada brothel owner?
Well -- poof -- the first picture just arrived in my inbox along with a poster for the Joe Pesci, Gina Gershon, Bai Ling, Elise Neal, Bryan Cranston co-starring movie and it's everything you could want ... and more. You've got Helen in righteous retro regalia, flanked by a pseudo-Arabian Gina on the left and a disco'd out Bai on the right. As for the poster, it's pure pulp perfection:
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Restrepo English Documentary War Movie 2010 Cast and Crew Director: Sebastian Junger and Tim Hetherington Country: US Theatrical Release Date: June 25, 2010 Genre: Documentary | War
Plot: A year with one platoon in the deadliest valley in Afghanistan.
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Sebastian Junger and Tim Hetherington's year dug in with the Second Platoon in one of Afghanistan's most strategically crucial valleys reveals extraordinary insight into the surreal combination of back breaking labor, deadly firefights, and camaraderie as the soldiers painfully push back the Taliban Synopsis: In 2008 Sebastian Junger (The Perfect Storm) and Tim Hetherington dug in with the men of Second Platoon for a year. Afghanistan's Korengal Valley, a stronghold of al Qaeda and the Taliban, has proven to be one of the U.S. Army's deadliest challenges. It is here that the platoon lost their comrade, PFC Juan Restrepo, and erected an outpost in his honor. Up close and personal, Junger and Hetherington gain extraordinary insight into the surreal combination of backbreaking labor and deadly firefights that are a way of life at Outpost Restrepo. Ever wonder what it's really like to be in the trenches of war? Look no further. Restrepo may be one of the most experiential and visceral war films you'll ever see. With unprecedented access, the filmmakers reveal the humor and camaraderie of men who come under daily fire, never knowing which of them won't make it home. [Synopsis courtesy of Sundance Film Festival]
Movie Reviews: 'One platoon, one year, one valley' goes this documentary's impressive slogan. Such concentrated focus is truly a selling point. This is vivid, intense, unvarnished stuff, and the two filmmakers won the Grand Jury Prize for documentary at Sundance this year for their troubles. Hetherington also won World Press Photo of the Year 2007 for an image of one of the soldiers resting at Restrepo, an outpost named after medic Juan Restrepo, one of their first casualties upon arriving at this dangerous place of daily combat, Afghanistan's Korangal Valley. The two embedded journalists, Sebastian Junger (of 'The Perfect Storm,' with a contract from Vanity Fair for coverage) and distinguished British war photographer Tim Hetherington, are both filming the platoon off and on all through its 15-month deployment. They don't analyze or look at a wider context. They're in effect in the foxholes, where there are no atheists, and this time no military strategists either. What they show, and show well, is the camaraderie of this American Army unit, the Second Platoon, Battle Company, 173rd Airborne Brigade, their bravery, hard work, humor, and love of one another, and, less emphatic but also constant, a deteriorating relationship with the local citizenry. If you are going to make a narrative feature about how contemporary American soldiers in daily combat look and act, this is a good place to go, and the images are superb, and bravely shot, at the cost of physical injury and at the risk of getting shot like the soldiers. The film has no structure other than the actions of the platoon, their two big projects being building OP Restrepo, a 15-man outpost above the outpost that restricted the enemy's movements, and a foray dubbed Operation Rock Avalanche, during which the troops came under the heaviest fire; some of them still have nightmares from Avalanche.
The Korangal Valley is a scene in the middle of nowhere with no escape, as the soldiers saw it on arrival -- a place of multiple daily engagements with a hidden enemy. Strategically, this place seems like it was useless. The Korangal Outpost was closed in 2009 after six years, hundreds of US wounded, and 50 US soldiers dead (and heavier losses on the less well-equipped Afghan side). Some US military actually think the Korangal Outpost -- and the outpost of the outpost, O.P. Restrepo where most of the action takes place -- only increased local sympathy for the Taliban.
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Wild Grass (Les herbes folles) French Movie 2010 Cast and Crew Director: Alain Resnais Writer: Alex Reval, Laurent Herbiet Cast: André Dussollier, Sabine Azéma, Emmanuelle Devos, Mathieu Amalric Country: France Genre: Drama | Romance Theatrical Release Date: June 25, 2010 Synopsis: A wallet lost and found opens the door - just a crack - to romantic adventure for Georges and Marguerite. [Synopsis courtesy of Cannes Film Festival] English movie online Hollywood movie online Comedy movie Romantic movie online movie movie movie review movie story free Les Herbes folles English Hollywood Film The film Directed by Alain Resnais.
Plot : A wallet lost and found opens the door to romantic adventure for Georges and Marguerite. After examining the ID papers of its owner, it is not a simple matter for Georges to turn the red wallet he found in to the police. Nor is it that Marguerite can recuperate her wallet without being piqued with curiosity about whom it was who found it. As they navigate the social protocols of giving and acknowledging thanks, turbulence enters their otherwise quotidian lives. Round-Up: "Some may remember the 2009 Cannes Film Festival for the ephemeral brouhaha of Antichrist, but time will be most understanding of all to 'Wild Grass,' the new masterpiece by Alain Resnais," gushes Daniel Kasman for the Auteurs Notebook. "It has breathed life not just into the festival but into cinema itself, a true, effervescent delight as sad, hilarious, and wonderful as can be imagined, which is exactly the point. It is the ultimate Resnais film, an entire story, an entire cast of characters, and entire candy-colored film world all pitched as speculation." Jordan Mintzer, writing for Variety, notes that "'Wild Grass' shows that although Resnais has grown more light-hearted in old age, he hasn't lost his desire to challenge the viewer on all levels" noting that it's "more freewheeling than 2006's 'Private Fears in Public Places,' but with a similar networking structure that connects the destinies of several melancholy adults into one intriguing web." For his part, Duane Byrge, reviewing the film for The Hollywood Reporter dismisses the film as "a polished ditty from revered French director Alain Resnais. He's revered and he's French, and that's the likely explanation for inclusion of this demi-divertissement in the Competition... With its thin narrative and elliptical story jumps, 'Wild Grass' crashes and burns in a pretentious and unsatisfying manner."
Movie Reviews : I saw this last night as the opening film of the NY Film Fest. It's the first Alain Resnais I've seen and it will also be my last. In this country, if a man behaved like this toward a woman, she'd get a restraining order against him, and he'd be in jail for stalking. And no one would be making supposedly funny movies about it. But besides the inappropriate tone of the movie, the script is horrible, and at least two of the actors seem miscast. André Dussollier's character is described as being about 50 (he's 64), and Anne Consigny, who plays his wife of supposedly 30 years, is only 46 (it's possible they've been married that long but not likely). Sabine Azema's character behaves in a totally irrational way that is likely to infuriate, and should, American women. When the movie ended, the applause was polite at best, but there was a mad rush for the exits, and the general discussion afterward was negative.
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Cast and Crew Writers: Giorgos Lanthimos, Efthymis Filippou Director: Giorgos Lanthimos Cast: Christos Stergioglou, Michelle Valley, Aggeliki Papoulia, Mary Tsoni, Hristos Passalis Country: US Theatrical Release Date: June 25, 2010 Genre: Drama
Greek movie online Hollywood movie online Comedy movie Romantic movie online movie movie movie review movie story free Dogtooth (Kynodontas) Greek Hollywood Film The film Directed by Giorgos Lanthimos, Efthymis Filippou.
Synopsis:Anyone who follows the film blogging world should be well-acquainted with a few names of online critics that could eloquently be referred to as “luminaries” and affectionately known as “big papas.” Two of these guiding daddies of our world played a big part in my viewing of Greece’s DOGTOOTH. James Rocchi recommended DOGTOOTH to Scott Weinberg. Rocchi recommended it to me. Both loved it. These are recommendations you cannot ignore. The film won the Un Certain Regard Award at last year’s Cannes Film Festival (which recognizes emerging and special talent at the festival). That’s another recommendation you can’t ignore. Which is all very appropriate – because DOGTOOTH is a film you cannot ignore. Somewhere in rustically suburban Greece, there is a family. This is not a normal family. This is not even a remotely normal family. We never learn their names – so it’s best to refer to them as film seems to – Father, Mother, Older Sister, Son, and Younger Sister. While Father has a job outside the home, the other four members of the family do not leave the home. Ever. The children (who are really in their early twenties) have been confined inside a carefully constructed alternate world for their entire existence. They have been taught to fear the outside world and its inhabitants (they believe cats are the most dangerous predators in the world), believe they cannot leave the home until their dogteeth fall out, and have had only severely limited interactions with those outside their families. They have also been taught incorrect meanings for a variety of random words (to them, a “telephone” is a salt shaker, a “motorway” is a strong wind). They are absolutely and unflinchingly crippled. Things unravel for the family when the transgressions of a chosen interloper threaten to fell the tightly-wound lies they live in. Christina has been picked by Father to occasionally visit the house (blindfolded during the entire trip there and back) to have sex with Son. It’s treated by the family as formality – something that must be done, an extension of their daily physical exercise. But Christina has other desires, and when they are impressed upon Older Daughter, the trickle-down effect is fast and furious. The family and the film begin to unravel in increasingly shocking ways. DOGTOOTH is both deeply unsettling and darkly funny. The film treats both extreme violence and passionless sex with the same unwavering eye – the camera does not shy from depicting the most uncomfortable and shocking moments that occur. But it’s not some sort of take on torture porn – it’s the opposite of gratuitous. The vacuum the children live in makes it nearly impossible for them to accurately contextualize their actions and their consequences. The things that happen in DOGTOOTH are not for the faint of heart, don’t mistake the family’s made-up world as being magical or special, it’s a twisted Eden for the broken. But it’s unforgettable and brave, unflinching in its admonishment of everyone within it.
This movie has some weird sex scenes and also has some awful and out of nowhere violence. That's not the reason though i hated it. The whole thing is twisted, unbearable to watch, crazy, disgusting, unacceptable. Obviously the makers tried hard to shock the viewer. They made it. That's not a reason though to like a movie. It's a poor movie and nothing more. I don't care who made this or if there were good critics. To me the most important thing is what i received from watching it. Honestly it was a pain to watch. I wouldn't recommend it to anyone! I can't believe Greece has almost no good movies at all to offer. After having watched "Politiki kouzina" and "Nyfes" this is a disaster and a shame. tags: Dogtooth (Kynodontas),download Dogtooth (Kynodontas),watch English movie Dogtooth (Kynodontas),online movie Dogtooth (Kynodontas) 2010 Dogtooth (Kynodontas), watch online Dogtooth (Kynodontas) Hollywood film, Dogtooth (Kynodontas) free download, Dogtooth (Kynodontas) full movie,download English movie Dogtooth (Kynodontas), Dogtooth (Kynodontas) film,Dogtooth (Kynodontas) film,Dogtooth (Kynodontas) review Hollywood movie overivew,review Dogtooth (Kynodontas) film,overview movie Dogtooth (Kynodontas),download Dogtooth (Kynodontas) movie,free download Dogtooth (Kynodontas) film,Dogtooth (Kynodontas) Movie Photos ,Dogtooth (Kynodontas) Movie image gallery,English Movie Dogtooth (Kynodontas) Stills,Dogtooth (Kynodontas) Movie image gallery,Dogtooth (Kynodontas) Movie stills,Dogtooth (Kynodontas) Movie pics
The Killer Inside Me English Crime Movie 2010 Cast and Crew Director: Michael Winterbottom Writer: John Curran Cast: Casey Affleck, Jessica Alba, Kate Hudson Country: US Genre: Crime | Drama | Thriller | Western Theatrical Release Date: June 18, 2010 Plot: A West Texas deputy sheriff is slowly unmasked as a psychotic killer.
English movie online Hollywood movie online Comedy movie Romantic movie online movie movie movie review movie story free The Killer Inside Me English Hollywood Film The film Directed by Michael Winterbottom. Synopsis:Based on the novel by legendary pulp writer Jim Thompson, The Killer Inside Me tells the story of handsome, charming, unassuming small-town deputy sheriff Lou Ford, who has a bunch of problems. Women problems. Law-enforcement problems. And an ever-growing pile of murder victims in his west Texas jurisdiction. All the while Lou manages to remain his stoic self. However, as evidence is discovered over the course of the investigation, suspicion begins to fall on Lou. But in this savage and bleak universe, nothing is ever what it seems. [Synopsis courtesy of Sundance Film Festival]
One of the summer movies I'm looking forward to the most is The Killer Inside Me. Some of that's personal; I went to high school in Tulsa, where much of the film is shot, and which has one of the finest collections of standing art deco architecture in the country, featured throughout the movie. It's also where I found the book when I was a kid, by the great pulp novelist Jim Thompson.
Beyond that, though, I really admire director Michael Winterbottom. I don't love
his films as a general rule, but I certainly think he makes them differently than most people, and he refuses to fit inside a little box about what contemporary film should be. This one contains, from what we've heard, almost unspeakable violence. I believe part of the reaction to the movie is because it's violence against women, the same way we'd cringe if we saw children or dogs being beaten in films. When it's a fairer fight, people tend to care less about the bloodshed.
In an interview with The Guardian, Winterbottom defended his film. Rachel cooke, who spoke to the director, lays out the case against the movie's violence, detailing the now-infamous slugging of Jessica Alba by Casey Affleck. Cooke calls it, "a sickeningly protracted scene in which, so far as I can recall, facial bones crunch repeatedly to the sound of classical music and Lou's girlish, high-pitched voice ('Hold on, sweetheart,' he murmurs soothingly, as he hits her. 'It's almost over.')" It's a more evenhanded interview than Cooke's own commentary about the film; she clearly has problems with it. But after making her point, it becomes more of a feature interview on her subject than an axe-grinding. As for Winterbottom's exploration of this kind of brutality, he says: The Killer Inside Me hits theaters and VOD on June 18th.
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Cast and Crew Cast: John C. Reilly, Jonah Hill, Marisa Tomei, Catherine Keener, Matt Walsh Director: Jay Duplass, Mark Duplass Writer: Jay Duplass, Mark Duplass Distributor: Fox Searchlight Country: US Genre:Comedy Theatrical Release Date: June 18, 2010
Plot: A recently divorced guy meets the woman of his dreams. Then he meets her son
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Synopsis: Alone and acutely depressed, having just learned of his ex-wife’s wedding plans, John can’t believe his luck when he encounters beautiful, charming Molly at a party. The two get along famously and launch a passionate affair—until Molly’s 21-year-old son, Cyrus, enters the scene. Will Molly and Cyrus’s deep and idiosyncratic bond leave room for John? [Synopsis provided by Sundance Film Festival] With John's social life at a standstill and his ex-wife about to get remarried, a down on his luck divorcée finally meets the woman of his dreams, only to discover she has another man in her life - her son. Still single seven years after the breakup of his marriage, John has all but given up on romance. But at the urging of his ex-wife and best friend Jamie, John grudgingly agrees to join her and her fiancé Tim at a party. To his and everyone else's surprise, he actually manages to meet someone: the gorgeous and spirited Molly. Their chemistry is immediate. The relationship takes off quickly but Molly is oddly reluctant to take the relationship beyond John's house. Perplexed, he follows her home and discovers the other man in Molly's life: her son, Cyrus. A 21-year-old new age musician, Cyrus is his mom's best friend and shares an unconventional relationship with her. Cyrus will go to any lengths to protect Molly and is definitely not ready to share her with anyone, especially John. Before long, the two are locked in a battle of wits for the woman they both love-and it appears only one man can be left standing when it's over.
Movie Reviews : If you have followed the fantastic rise of the brothers Duplass from their early no budget shorts film days to their breakout low budget Sundance hit Puffy Chair and the equally good follow-up Baghead then you likely had to wonder what kind of movie they were making in Cyrus; which in contrast to the other movies appears to have considerable industry financial backing and bona fide Hollywood stars. The main concern here is that the brothers other movies are distinctly low budget and free wheeling (AKA "Mumblecore" indie movement), thats what makes them great in many ways and lets be honest the expectations for those first two movies were nil. When you aren't expecting a lot and get something pretty good back in return its going to seem really great. In Cyrus their are expectations, one only needs to see their prime opening Saturday night premier at Sundance to see just how far these guys have come. That works out pretty well though for the brothers, because they deliver a great film. Cyrus is distinctly indie and personal but isn't so much so that it scares off the mainstream. Cyrus is the story of a lonely divorcée John (John C. Reilly), who upon finding about his ex-wife's (Catherine Keener) impending nuptials has the unlikely fortune of getting caught with his pants down in a drunken act of buffoonery by the enchanting Molly (Marisa Tomei). Strangely enough Molly isn't frigthened off by John's drunken antics and heartfelt lonely ramblings which she finds endearing and honest. A bit of romance ensues and as John pursues further he eventually comes to find out that Molly has a 21 year old son who lives at home with her and has an oddly close relationship with his mother. John being the good guy that he is tries to make the best of the situation before Cyrus makes life a complete living hell for John and a bizarre rivalry ensues that will try the relationship of boyfriend, mother and son.
John C Reilly has always had a great gift at humor and that is no different here, him and Jonah Hill have a brilliant comedic dynamic that at times is beautifully subtle and other times in your face. What might be the Duplass trademark is the way they bring out real honesty in the performances by all three stars. Reilly gives one of his best performances and Jonah Hill has easily his best here. It is hard to say underrated but has Marisa Tomei ever not been stellar in the last few years? . Her performance is the glue that holds together the movie, with the insanity revolving around her character is believably sweet and endearing.
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Winter’s Bone Hollywood Drama Movie 201 Cast And crew Cast: Jennifer Lawrence, John Hawkes, Dale Dickey, Garret Dillahunt, Sheryl Lee, Tate Taylor
Director: Debra Granik Writer: Debra Granik, Anne Rosellini Country: US Genre: Drama
Theatrical Release Date: June 11, 2010
Plot: An unflinching Ozark Mountain girl hacks through dangerous social terrain as she hunts down her drug-dealing father while trying to keep her family intact.
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Synopsis: Deep in the Ozark Mountains, clans live by a code of conduct that no one dares defy—until an intrepid teenage girl has no other choice. When Ree Dolly's crystal-meth-making father skips bail and goes missing, her family home is on the line. Unless she finds him, she and her young siblings and disabled mother face destitution. In a heroic quest, Ree traverses the county to confront her kin, break their silent collusion, and bring her father home. With thrilling tension, Winter’s Bone depicts an archetypal rite of passage from adolescence to adulthood. Only this time, the young warrior is a girl. As our heroine braves immoveable obstacles, she redefines the notion of family loyalty and, in the process, discovers her own power. The spare precision of Debra Granik’s direction is effortlessly profound. Stunningly genuine performances and exquisite visual details capture the textures and rhythms of a world where the mythic and the naturalistic intermingle. [Synopsis courtesy of Sundance Film Festival]
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Stonewall Uprising English History Movie 2010 Cast and Crew Director: Kate Davis, David Heilbroner Writer: David Heilbroner Producers:Kate Davis,David Heilbroner,Mark Samels CinematographyBy:Buddy Squires Distributor: First Run Features Country: US Documentary | History Runtime:80 min
Language:English Country:USA
Theatrical Release Date: June 16, 2010 Plot: This film tells the story of the massive police raid of Stonewall in June 1969. English movie online Hollywood movie online Comedy movie Romantic movie online movie movie movie review movie story free Stonewall Uprising English Hollywood Film The film Directed by Kate Davis, David Heilbroner. Synopsis: “’It was the Rosa Parks moment,’ says one man. June 28, 1969: NYC police raid a Greenwich Village Mafia-run gay bar, The Stonewall Inn. For the first time, patrons refuse to be led into paddy wagons, setting off a 3-day riot that launches the Gay Rights Movement. Told by Stonewall patrons, Village Voice reporters and the cop who led the raid, STONEWALL UPRISING compellingly recalls the bad old days when psychoanalysts equated homosexuality with mental illness and advised aversion therapy, and even lobotomies; public service announcements warned youngsters against predatory homosexuals; and police entrapment was rampant. A treasure-trove of archival footage gives life to this all-too-recent reality, a time when Mike Wallace announced on a 1966 CBS Reports: "The average homosexual, if there be such, is promiscuous. He is not interested in, nor capable of, a lasting relationship like that of a heterosexual marriage." At the height of this oppression, the cops raid Stonewall, triggering nights of pandemonium with tear gas, billy clubs and a small army of tactical police. The rest is history.”
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The Lottery Hollywood Documentary, Drama Movie 2010 Cast And Crew Cast:Cory Booker,Geoffrey Canada, Joel Kloin,Eva Moskowitz, Susan Taylor,Dacia Toll. Director:Madeleine Sackler Distributor: Great Curve Films Country: USA Genre:Documentary, Drama, News Runtime:81 min Language:English Theatrical Release Date: June 11, 2010 & USA 7th May2010
Filming Locations:New York City, NY USA
English movie online Hollywood movie online Comedy movie Romantic movie online movie movie movie review movie story free The Lottery English Hollywood Film The film Directed by Madeleine Sackler.
Synopsis: In a country where 58% of African American 4th graders are functionally illiterate, "The Lottery" uncovers the failures of the traditional public school system and reveals that hundreds of thousands of parents attempt to flee the system every year. "The Lottery" follows four of these families from Harlem and the Bronx who have entered their children in a charter school lottery. Out of thousands of hopefuls, only a small minority will win the chance of a better future. Directed by Madeleine Sackler and shot by award-winning cinematographer Wolfgang Held, "The Lottery" uncovers a ferocious debate surrounding the education reform movement. Interviews with politicians and educators explain not only the crisis in public education, but also why it is fixable. A call to action to avert a catastrophe in the education of American children, "The Lottery" makes the case that any child can succeed.
News Desk: THE LOTTERY is a winner. The feature length documentary hones in on four families who are vying for their children to win spots in the charter school lottery for Harlem Success Academy. The four tykes, Eddie Jr., Ameenah, Christian, and George Jr., deserve a seat in the classroom. The problem is that all four kids live in low performing school zones in the Bronx and Harlem. As if the heart-wrenching game of musical chairs doesn't provide enough tension, the astute directorMedeline Sackler delves into the politics, personalities, and players involved in the polarizing issue of education reform. Interlaced into footage from education reform hearings, are "talking head" type interviews with head honchos, including Newark, New Jersey Mayor New York City Schools ChancellorJoel Kloin, and the Head of Harlem Success Academy,Eva Moskowitz. The film's heart lies in its four stars who are equally bright, utterly adorable, and hungry to learn. Ameenah is a highly verbal, vivacious kid, and lives with her dedicated, dynamic, deaf single mother. Eric Jr. comes from an intact, loving nuclear family, and his younger brother will soon be facing the same quandary come kindergarten. Christian, who is earnest and perseverant, lives with his father, a recent immigrant, while his mother and brother are embroiled in immigration issues back home. George Jr., an imaginative, energetic, and sharp kid lives with his single mother, as his father is in jail for a crime he didn't commit. Luckily, his parents make every effort to ensure George Jr. sees his father as regularly as possible. They are all African-American and, moreover, willing to do whatever it takes to provide their children with a sound education. Two of the families require public assistance, only a few completed high school and fewer attended college, and none of them want their children to face those hardships. Even if the achievement gap most severely affects disadvantaged children, the average American students aren't adequately prepared to compete in a global economy. Any parent can agree that no child's future should be determined by the luck of a lottery draw. After the sold out screening, Sackler, Klein, Moskowitz, Harlem parent Karl Willingham, and Errol Louis from The New York Daily News, answered an outpouring of questions. Many of the speeches, barely cloaked as questions, were aimed at Chancellor Klein, who oversees the largest public school system in the country. One audience member wanted to know if charter schools could hold up overtime. Klein noted that not all charter schools perform well. He praised the innovation and results of the Harlem Success Academy brand. "I don't think they're an experiment. The evidence is in." He also championed parents who think with their feet and urged people to vote on whether they want more charter school options. It wasn't just the audience giving Klein heat. Moscovitz criticized the public schools, reflecting on her own challenges in as a parent in contacting teachers and school administrators. She spoke about how Harlem Success Academy stresses the partnership between the staff and parents as a cornerstone of the school's philosophy. She said, "every parent has every cell phone number of our staff. 1400 parents have my cell phone number." As if on cue, teachers, and parents from Harlem Success Academy and Harlem Children's Zone, cheered for Moscovitz. The evening belonged to education crusaders. A CEO of a charter school in Hartford, Connecticut spoke about how painful it was for him to hold a public lottery. He then brought the political discussion back to the heart of the issue—children—and said, "Madeline, your dad's very proud of you. He calls everyone to tell them about your movie."
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The Living Wake Hollywood Dark Comedy Movie (2010)
Cast And Crew Cast:Mike O'Connell,Jesse Eisenberg, Jim Gaffigan,Ann Dowd,Ed Pepitone, Jill Larson...And Many Others Director:Sol Tryon Producers:Sol Tryon,Mike O'Connell, Ami Ankin,Peter Kline,Chadwick Clough Writers:Mike O'Connell,Peter Kline Music:Mike O'Connell,Carter Little Runtime:1 hr 30 mins Genre: Comedy Theatrical Release: 5/14/2010
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The Living Wake Movie Synopsis: A self-proclaimed artist and genius who has elevated his drab existence into a personal mythology organizes his final party, a living wake, in director Sol Tryon's absurdist black comedy. K. Roth Binew (Mike O'Connell) is about to live his last day. Abandoned by his father (Jim Gaffigan) as a young lad, Binew was raised by his nanny, Marla (Diane Kagan), and gradually grew to gain an appreciation for the arts. Though he would personally never complete a single work of art, he nevertheless considers himself an artist and has recently been told by his doctor that he will shortly expire of some mysterious, unnamed disease. Upon being informed of his dire situation, Binew boards his rickshaw and requests that his biographer and driver, Mills Joaquin (Jesse Eisenberg), transport him around town so that he may make his final arrangements. As the day wears on, Binew and Joaquin visit the local "liquirsmith" to procure spirits, arrange a Viking-style funeral for the eccentric "artist," and steal a goat for a personal picnic. Later, after Binew is attacked by his neighbor (Eddie Pepitone) and has his attempt to donate books at the local library refused, he hands out invitations to his final party. It is there that Binew will perform a short piece for his audience, and summarily drop dead on the spot. The Living Wake Plot Summary: “The Living Wake” chronicles the final day in the life of self proclaimed artist and genius, K. Roth Binew. It begins in the morning. Binew wakes up and dresses in his finest suit. He leaves his boarding house and sets out to hand out invitations to his final party, a living wake. His first encounter is with his neighbor and arch-enemy, Reginald. As a gesture of reconciliation, Binew offers Reginald an invitation. Reginald takes it begrudgingly. Mills Joquin, Binew’s best friend and biographer, picks up Binew in a bicycle powered rickshaw. The two set off on their adventure. Throughout the day Binew and Joquin will be on the rickshaw, attempting to probe the great mysteries of life while fulfilling Binew most urgent errands. First on the list is a trip to the liquor store. Binew likes his drink and in order to ensure a good day Binew must have his favorite bourbon. Having secured his bourbon he then heads to the recreation park where he will exercise one final time. From there Binew and Mills go the mortuary to plan for Binew’s burial. A memorial service is in progress and the raffish duo cause a scene. The next section of the film centers around a picnic that Binew has arranged with the great love of his life, his former nanny, Marla. In preparation for the picnic Binew must first steal a goat from a farmer. He enlists Mills as his decoy and secures the goat. They then cook the goat on a stake, intoning a prayer to the gods as they do so. Having cooked the goat, Binew heads to the site of the picnic. There, he woos his former nanny. He steals a long awaited kiss from her but in the end realizes that carnal love is more desirable than his courtly affections. He leaves his nanny behind in favor of the easy comforts of the prostitute. He visits the prostitute, swindles her, and continues casually on his journey. His adventure is disrupted, however by his arch-enemy Reginald, who runs Joquin and Binew off the road with his car. Binew brushes himself off and swears eternal revenge. The next portion of the film involves Binew’s attempt to secure his artistic legacy. This takes him to the library where he attempts to donate his books. The librarian refuses him and this sends Binew into mild depression. Desperate to discover if anyone who will remember him in the future, Binew visits a psychic. The psychic informs him that she sees nothing in his future other than imminent death. Following the psychic’s den, Binew discovers that Mills’ watch has broken. In order to keep to their schedule they must get a new watch at the clockshop. When Binew finds out the actual time, he faints, grief stricken by the little time he has left. From here Binew visits his family in an attempt to reconcile differences, but they treat him only with scorn. Binew then drowns his sorrows in his favorite watering hole the “Shifty Mick”, where he muses about the futility of life. Following the bar, Binew asks Mills if he might have some time alone before the wake. He walks through a cemetery and sings a contemplative existential ballad, “I’ve Never”. The final portion of the film takes place at the wake of K. Roth Binew. A wooden stage has been erected in an open field. Binew’s friends and enemies have gathered to witness Binew’s final spectacle. He treats them to a variety of song, dance and theater. Binew’s show is interrupted by the appearance of his father, who Binew hasn’t seen since he was a boy. Binew addresses his father while on stage, asking him to reveal the meaning of life. He tells Binew that the meaning of life is not something that can be explained. He encourages Binew to be his own strange, beautiful self until his final moment. He also alerts him that he is not flesh and blood, but a ghost. Binew is embarrassed at first, having carried on with an apparition in front of so many people. He quickly recovers, however, accepting the words his ghost father has bestowed. In his final minutes, Binew vows that he will live life to the fullest. He will greet death with gusto rather than cower in fear. He takes a baton and leads the wake procession in his final song, “Dressed for Death”. Those present follow Binew as he marches across the field singing. Binew marches right up to his coffin and jumps inside. He concludes his triumphant song, and then drops dead. The wake attendees pay their final respects. They then leave. All but Mills remains. Binew’s, ever patient, ever loyal best friend, Mills Joquin takes Binew’s body to a lake. He pushes the coffin out into the water and lights a match. Mills watches as the boat is engulfed in flames.
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