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Cast and CrewCast: Geoffrey Canada,George Reeves,Michelle Rhee
Director: Davis Guggenheim
Producer: Lesley Chilcott
Music Director:Christophe Beck
Release Date: 24 Sep 2010
Genre: Family
Language: English
Certification: U
English movie online Hollywood movie online Romance movie Romantic movie online movie movie movie review movie story free Waiting for Superman English Hollywood Film The film Directed by Davis Guggenheim.
The Story:
Waiting for Superman is a 2010 family documentary film from director Davis Guggenheim and producer Lesley Chilcott The film analyzes the failures of American public education by following several students through the educational system.
Filmmaker Davis Guggenheim says that “Waiting for ‘Superman’,” his documentary about the failures of the American school system that opens in theaters today, was “absolutely the hardest movie [he's] ever directed — emotionally, logistically, and creatively.” And that says quite a bit, considering that his last non-fiction film, the Oscar-winning “An Inconvenient Truth,” was about global warming and centered around a slideshow presented by Nobel laureate Al Gore.
“Everything in education is so loaded; I’ve never experienced this in any other subject,” Guggenheim said in an interview. “Global warning was loaded, but this is so so loaded. The issue has so many elements, from charters and vouchers to funding. There are so many wormholes and politically-charged issues. It took [producer] Lesley [Chilcott] and I a while to figure out how to narrow down our focus.”
Edited down from “hundreds of hundreds” of hours of footage from 70 days of shooting, “Waiting for ‘Superman’” follows five children — Anthony in Washington, D.C., Bianca in Harlem, Daisy from East Los Angeles, Emily in Silicon Valley, and Francisco in the Bronx — as each student is entered into local charter-school lotteries to avoid going to overcrowded public schools with lower success metrics.
Speakeasy spoke with Guggenheim and Chilcott about their film.
Director Davis Guggenheim talks about his latest documentary, “Waiting for Superman,” which takes a creative look at problems in the education system. The film follows five kids and their parents, examining how the system inhibits rather than encourages academic progress. An earlier documentary short about teachers, called “Teach,” was the first film Guggenheim took to Sundance. Guggenheim describes what has changed in his life to make him revisit the school system and how he wanted to tell the story of a much-discussed problem by using humor and suspense to engage audiences about the issue in a way they have never seen before. He explains why he chose the five students featured in the documentary and his sense of responsibility to accurately share their stories while also tackling the nuances of a complicated education structure. Guggenheim also recounts the moment he learned “Waiting for Superman” had been picked up for distribution by Paramount and his faith in the distributors’ desire to genuinely impact the issues in the film.
Waiting for Superman Movie Review:
For a nation that proudly declared it would leave no child behind, America continues to do so at alarming rates. Despite increased spending and politicians’ promises, our buckling public-education system, once the best in the world, routinely forsakes the education of millions of children.
Filmmaker Davis Guggenheim reminds us that education “statistics” have names: Anthony, Francisco, Bianca, Daisy, and Emily, whose stories make up the engrossing foundation of WAITING FOR SUPERMAN. As he follows a handful of promising kids through a system that inhibits, rather than encourages, academic growth, Guggenheim undertakes an exhaustive review of public education, surveying “drop-out factories” and “academic sinkholes,” methodically dissecting the system and its seemingly intractable problems.
However, embracing the belief that good teachers make good schools, and ultimately questioning the role of unions in maintaining the status quo, Guggenheim offers hope by exploring innovative approaches taken by education reformers and charter schools that have—in reshaping the culture—refused to leave their students behind.In the wake of D.C. Mayor Adrian Fenty’s loss to Vincent Gray last night, many of Washington’s political and media elite turned out for the red-carpet premiere of Waiting for Superman, a much-hyped documentary about education reform in America. It was interesting timing, to say the least: One of the film’s big stars is Michelle Rhee. The movie depicts her as a savior of schools and someone willing to make tough decisions others have bypassed. But, as I wrote earlier today, it’s not clear whether Rhee will have her job as chancellor of D.C. Public Schools for much longer—in large part thanks to her take-no-prisoners leadership style that the movie praises.
What does this all mean not only for Washington’s schools but also for Waiting for Superman, a film that its creators hope will spark a national wave of more Rhee-style reforms? I put the question to Davis Guggenheim, the movie’s director (who also directed An Inconvenient Truth). Though he wouldn’t wade into Beltway gossip, Guggenheim issued strong support for Rhee.
I know better than to speculate in city politics. … I can tell you this: I spent a lot of in these schools in D.C.m and I met principals, and I met teachers, and I met kids. And this city needs reform. The stakes are really high, and they need someone like Michelle Rhee to reform these schools and to continue with the progress. [In] Washington, even though the mayor changes, the kids stay here. D.C. can’t go backward.
As for whether the loss of Rhee in D.C. could change his film’s impact, making it something of a cautionary tale about the trials and consequences of pushing controversial school reforms, Guggenheim said he is optimistic that won’t be the case:
I think all of the frenzy over this [movie] is showing that people are paying attention and the stakes are really high. Over a million kids are dropping out of schools every year … [and are] walking the streets in this modern economy. We are failing millions of kids. Make no mistake, when people are doing all this political speculation—that’s a game.
The movie’s producer, Lesley Chilcott, hinted that, even if Rhee gets the boot or chooses to leave Washington, her legacy could remain intact—in D.C. and more widely:
Overwhelmingly, whether you agree with how it was done, the results can’t be disputed. I hope it’s inspirational to other leaders. And I think that some of the reforms that she put in place are the exact same reforms that are being put in place in Denver and other places. I don’t think it’s the end of an era. I think it’s the beginning of all of this massive change that we so desperately need.
Maybe this is all wishful thinking. We’ll have to wait for Rhee and Vincent Gray to make their decisions, and for Waiting for Superman to open later this month, before we can really know.
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