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Scott Pilgrim vs. the World English Movie 2010
Action Movie
Starring: Michael Cera, Mary Elizabeth Winstead, Kieran Culkin, Chris Evans, Anna Kendrick, Alison Pill, Brandon Routh, Jason Schwartzman
Directed by Edgar Wright
Produced by Marc Platt, Eric Gitter, Edgar Wright, Nira Park
Written by Michael Bacall and Edgar Wright
Distributor: Universal Pictures
Visit the movie's Official Site!
Release Date: 13 Aug 2010
Genre: Action | Adventure | Comedy | Fantasy | Romance
Language: English
Certification: U/A
Plot:
Scott Pilgrim must defeat his new girlfriend's seven evil exes in order to win her heart
The Story : Scott Pilgrim vs. The World is an adaptation of the comic book series Scott Pilgrim by Bryan Lee O'Malley. 23-year-old Scott Pilgrim (Michael Cera) is the bass guitarist for the band Sex Bob-omb and has just met the girl of his dreams, Ramona Flowers (Mary Elizabeth Winstead). Scott learns that he must battle Ramona's seven evil exes, who are coming to kill him.
As Scott gets closer to Ramona, his encounters include skateboarders, vegan rock stars, and identical twins. To stay with Ramona, Scott must vanquish all of them before they vanquish him.
Scott Pilgrim's life is so awesome. He's 23 years old, in a rock band, "between jobs," and dating a cute high school girl. Everything's fantastic until a seriously mind-blowing, dangerously fashionable, roller blading delivery girl named Ramona Flowers starts cruising through his dreams and sailing by him at parties. But the path to Ms. Flowers isn't covered in rose petals. Ramona's seven evil exes stand between Scott and true happiness. Can Scott defeat all seven of the bad guys and get the girl without turning his precious little life upside-down, before the game is over?
Movie Review
The tagline for this film is "An Epic of Epic Epicness" and I couldn't agree more. After waiting in line for 3 hours after last night's Comic-Con and finally being sat in the gorgeous Balboa Theater, I didn't know what to expect. I loved the comics and the previews looked faithful. The moment the movie starts (literally; the Universal logo and theme are 8-bit) you are thrown into a comic book atmosphere with video game references aplenty.
The plot revolves around Scott Pilgrim needing to defeat the 7 Evil Exes of Ramona Flowers in order to date her and it is a harrowing sequence of battles. Each fight is crazier than the last and some are used purely for comedy, not excitement. Almost every other line is a punchline and they all work. References to TV shows, video games and comics (just like a 20-something's life would include) are everywhere and if you accept the concept of the plot, it all feels natural.
While the audience might've been biased (we held a 10-minute standing ovation for Edgar Wright when the movie finished) there's no denying that it's an excellent film. Edgar Wright has an uncanny sense of comic timing with edits and sound cues to make the picture tight and focused when it's looking for laughs.
I can't imagine a mainstream theater erupting in applause and laughter like ours did but make no mistake; this a crowd pleaser and the MOST enjoyable film I've seen in years. Don't hesitate to watch this masterpiece in a theater near you.
There was never any doubt that Edgar Wright was a gifted filmmaker. Shaun of the Dead is a revelation and Hot Fuzz ups the ante, executing jokes and satire but also introducing a director capable of action and tension that could compete with any of Hollywood's recent offerings. Rumored to be handling a variety of projects including Marvel's Ant Man, Wright instead took a lesser known [to the general public] series of graphic novels about young people in love rife with video game references and stylized fight scenes and made it his passion project. It could have been a disaster but it's absolutely electric and proof positive that not only is Wright more than just a gifted comedian and storyteller, it calls to question just how high the man's ceiling may be. All of us firmly entrenched in his corner may have to expand our idea what kind of talent he is, from great filmmaker to flat out genius and it's not a stretch to say that the guy may just be the next true multi-tool visionary. But first things first...
I do not like the graphic novels the film is based on. Flat out don't like them. I love the video game references and appreciate the balance of manga-style format and offbeat content. I love that it speaks to a very specific and appreciative audience. I love that it spoke to Edgar Wright, because otherwise we'd be short one very exciting, vibrant, and kinetic moviegoing experience. But the source material either missed me by half a generation or I am simply dead inside. Probably the latter. Either way, I love it now.
The film starts off with a wonderful MIDI and 8-bit inspired Universal logo that sets the tone rather nicely and we are off to the races. Apparent almost immediately is the way Wright uses onscreen text, musical cues, and transitions to bring to mind the feeling of a comic book or video game. It's phenomenal stuff, and part of the reason the film can possibly find a much larger audience than the core demographic. There's an energy to even mundane daily routines here, and though the set-up contains very little that ought to hook people who have no idea what the graphic novels were about, it simply does. This isn't an assault on the senses, necessarily. But it does grab your senses and give them a stern shake and remind them that film requires the audience to participate in order for the arrangement to work. And work it does.
Michael Cera is Scott Pilgrim, bass player for the three-piece rock band the Sex Bob-oms and a hopeless romantic smack dab in a poorly conceived relationship with a prim and proper high school girl (Ellen Wong, a revelation) after a series of ill-fated loves that have left him reeling. The biggest and most crushing having been to Envy Adams (Brie Larson), now living the rock star life as the frontwoman for the band The Clash at Demonhead [I owned that NES game 100% based on the name] while he remains in Canada reeling from the breakup. In his safe new relationship, one where he holds all the power Scott is still trying to find himself, leeching off his gay roommate's (the fantastic Kieran Culkin) belongings and enjoying the idea of making his 20's last as long as he can.
As is the case with many Scott's built up walls of relationship toughness erode easily, and when "true love" crosses in path in the form of the mysterious Ramona Flowers (Mary Elizabeth Winstead) his true obsessiveness manifests. Beautiful, mysterious, and unattainable, she becomes his vision quest and as if landing her isn't enough of a challenge she has seven evil exes whom he must defeat in combat to earn her love. Seven evil exes. All of whom are larger than life in every way and on a collision course with Scott based on his rash and childish decision. That's where Scott Pilgrim vs. The World goes from being a fun and quirky little movie to kicking stereotypes in the face and delivering a Spinning Uppercut to the norm.
Wisely, the film doesn't question why. Scott Pilgrim can fly through the air and kick his enemy as if powered by Capcom's best and brightest. It just is. He can withstand getting punched into the sky or thrown through a building. It just is. His adversaries, each tougher than the last have even more powers, and it just is.
And it just is great. And the less you know about the Brandon Routh fight scene the better.
I've heard some complain that the love story's a tough buy because the characters of Ramona and Knives are hard to love. I counter that by saying most of the people [especially guys] I've known in my life fall in love at the drop of the hat and that the buzz of finding someone overrides logic and reality. It doesn't make it right, but it is a fair reflection on how life is. These are impulsive kids and love is a concept more than something tangible.
The bottom line is, whatever the motivation is, it makes for terrific cinema.
Michael Cera's style works well for Scott Pilgrim. He's so good at what he does and so natural as the character it's very easy to root for him. Great stunt work and usage of technology have turned him into a legitimate action lead, which is a considerable feat. He's surrounded by really great performers, ranging from the bubbly and adorable Wong to the terrific Culkin and culminating with some really great villainy. Brandon Routh is fantastic, Chris Evans continues to be the most charismatic and watchable actor in Hollywood, and Jason Schwartzman is as always phenomenal. There's also some great little moments from people all up and down the last list, but the star of this movie is Edgar Wright.
There are so many pitfalls in a movie like this. It could be too precious, too cute, too style over substance, too tied to its roots to reach a new audience, or too caught up in regurgitating video game and pop culture references. Or not enough of them. It could have existed as a small niche movie or as an exercise in weird but Edgar (and his able and diverse crew) balances all of it so well that it transcends the pitfalls. It's consistently funny, the action is fantastic and very well done, and the music is surprisingly fun and listenable. It's charming, loaded with great little moments, and within a couple of minutes the filmmakers and cast have created a world where it doesn't matter how outlandish things get because the delivery is so sublime.
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