Sunday, November 14, 2010

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The Orgasm Diaries (Brilliantlove) English Romantic Movie 2010

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Cast And Crew
Cast: Arabella Arnott,Stephen Bent,
NLiam Browne,Michael Hodgson,
Nancy Trotter Landry,
Director: Ashley Horner
Writer: Sean Conway
Runtime:1 hour 37 minutes
Genre:Drama, Romance
Release Date: November 12th, 2010
Studio: IFC Films
Rating:NR

Hollywood movie online English movie online Comedy movie Romantic movie online movie Review movie story Fantasy Movie Adventure Movie The Orgasm Diaries English Movie The Orgasm Diaries Directed By Ashley Horner

The Orgasm Diaries: Synopsis:
OFFICIAL SYNOPSIS – In this poetic love story, Noon (Nancy Trotter Landry) is our narrator, a shy taxidermist who keeps a silent menagerie of fauna in the freezer alongside Manchester’s (Liam Browne) ice pops. Manchester documents their affair, creating highly charged and wonderfully erotic images. There is no artificiality in his work, just an instinctive technique, a couple of cheap instamatic cameras and a willing girlfriend. In a garage on a wasteland, Noon and Manchester have made a home and are spending their first summer together. They are happy to detach themselves from the outside world as much as possible, allowing them to explore each other and indulge their passions. In their space away from other distractions, their appetite and attraction for each other is intensified. How will their relationship fare when they step out of this cocooned environment? Tension is never far from the surface, and things are exacerbated when Manchester is seduced by a lucrative offer that takes him away from Noon and the world they share. Franny, a wealthy pornographer and connoisseur of erotica, launches Manchester’s photography in the art world; Manchester’s success destroys the beauty of their once idyllic life. His downfall is as rapid as his rise.
All the characters are linked thematically via Erotology; the study of sexual love and lovemaking.



More Info:
A handsome young guy named Manchester and his girlfriend Noon are having sex a small garage apartment in the English countryside during an endless sweltering summer day. He's a photographer, she's a taxidermist—and they are head over heals in lust with one another. Manchester has taken to snapping away explicit and intimate pics during their lovemaking… pictures that were supposed to be just for them. But when he leaves the photos behind in a pub after one too many pints, a wealthy collector "discovers" Manchester's work and soon makes him the crème de la crème of the art world. Money is new in Manchester's world, and his hasty rise to fame spurs unforeseen consequences and uncovered truths. ORGASM DIARIES is a gorgeous and intoxicating story of passion, art, and ambition.

Movie Plot Summary:
A poetic love story that follows Manchester and Noon as they enjoy a long, hot, summer romance. Noon is our narrator, a shy taxidermist who keeps a silent menagerie in the freezer alongside Manchester's ice pops. Manchester documents their affair, creating wonderfully charged images with just a couple of cheap, instamatic cameras. When a wealthy gentleman called Franny discovers Manchester and launches his photography on the art world, the success destroys the beauty of their once idyllic life.

The Orgasm Diaries:Reviews:
1) I was fortunate to be one of the first to see this at the EIFF press screening. I haven't felt a film speak so honestly before. Here we have two characters Manchester and Noon, tangled in a sexually fuelled and intense relationship. They both live for the moment and everything outside their world threatens their together-ness.

The film focuses heavily on racy, intimate scenes between the pair. The chemistry between the two is very believable, I especially enjoyed Noons character played by Nancy Trotter Landry. her angelic face catches every single moment of emotion and you are sometimes taken aback at how filthy she is during the film. I also commend Liam Browne who plays Manchester for being brave enough to show his genitals whether urinating or being frozen cold. I haven't seen a film like this where a relationship is so thoroughly sexually explored.
The plot of the film is lacking slightly but I feel it is contrasts the mundane northern feel. Nevertheless very good acting and I was fixed to my sit throughout. This feels like the way British cinema should be going, bold, brash and modern.

2) Review:
The great love story with full-on eroticism has somehow never sounded like the sort of the thing the British do at all, much less do well. Director Ashley Horner set out to put that right.

His protagonists are two freewheeling youngsters who are In Love. So they spend most of the 97 minutes of this film Having Sex. Manchester is a sort of would-be photographer and Noon is a self-confessed taxidermist. Their sources of income, if any, are not particularly clear. But such details could after all complicate the heady sense of falling for someone you have heady sex with. Especially at an age where hormones are high and responsibilities are low. Things can get complicated. Such as when Manchester leaves his lovingly lensed erotic photos in the local boozer. And they are picked up by someone with a slightly more commercial eye for such things.

The good things about brilliantlove are quite a few. Seeing the two leads with all their clothes on for the Q & A at least reassured me that they did an decent job as actors, and weren’t just a couple of hippie-types who had wandered onto the set. The film is shot in a very warm and natural way without being cheesy. There is none of the attempt to desexualise (the quite graphic) sex as is so common in arthouse movies which want to prove they are high brow. People in brilliantlove are meant to look warm and sexy in a nice way, and actually achieve that. There’s plenty of natural, inoffensive full-frontal nudity along the lines of two people who might wander around half naked anyway, and happen to be young, and happen to be physically good-looking. No penetration close-ups in case you are getting hot under the collar. It doesn’t seem to be pushing UK censorship boundaries, and so doesn’t have to wave a flag that justifies it in the name of art. The only thing a stuffy person might object to on the nudity count would be the sheer quantity. The filmmakers should also be complimented on turning out a decent job on what was probably a non-existent budget. The script is as natural as the acting, and it generally has all the warm fuzzies that go with saving small furry animals from a night in the cold.

But if brilliantlove succeeds in making a fully British erotic love story, it doesn’t quite manage to make a great one. Except for competent demonstration of technique, one might question whether it was worth making at all. It is hard to care about the characters that deeply, or whether they are in love. ‘Nice-ish kids’ is about the best you could say. There is no perceptible intellectual connection – in fact both of them seem a Rizla paper short of a spliff at times – and any emotional connection seems based more on the devotion arising from good physical chemistry and easy-going natures. Such shortcomings alone would not ruin a film, and indeed the last 10 to 15 minutes manage to salvage much of the dramatic tension. But the story is weak. Grand end statements try to assert the seriousness of the affair – sadly, using the standard three-part formula of, love, break-up, and reunion. Overall, brilliantlove is just a little bit too inoffensive to really get one's teeth into.

What particularly worries me is that it is being held up as a very British offering. Films that are different and have something to say in some way need to stand out more. At least 9 Songs divided opinion. Not that sexy, but it had shock value and an unusual, segmented composition which I personally rather liked. Erotic and explicit love stories do seem to come from abroad. Whether major hitters such as Breillat’s beautiful Brief Crossing, the wistful hedonism of The Dreamers, the aesthetically engaging romance and eroticism of Sex And Lucia, the controversial love-tragedies like Irreversible or Antichrist, Cronenberg’s fetish love (Crash), or the simple shock-value graphic love in The Brown Bunny. All these films, love them or hate them, are worthy of serious attention. Sadly the harshest thing one might say about brilliantlove is that it is just... well... ‘quite nice.’

The ideal market might be the age-group where people are losing virginity with weekend pocket-money at the cinema. Getting swept up in waves of strong first emotion – or infatuation – and definitely passion. Where they might strongly identify with the characters. Ironically, the ubiquitous soft-porn warmth of ‘erotic love’ so constantly on screen will possibly classify this film as ‘unsuitable’ until they are of an age to have refined their tastes or cooled their ardour. There again, a lot of people in the audience seemed to quite like it. Maybe I’m just an old fuddy-duddy...

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