Holi Kannada Drama Movie 2010
Cast And Crew
Cast: Venkatesh Prasad,
Ragini Dwivedi,Padmaja Rao,
Shobaraj,Pavitra Lokesh,Karibasavaiah,
Doddanna,Bank Janardhan,B.C.Patil
Director: Shankaralinga Sugnalli
Producer: Shankaralinga Sugnalli
Music Director: Amarapriya
Lyricst: Shivashankar S V
Singers: Hemanth Kumar,
Pallavi MD,Supriya Acharya,
Ramesh Chandra
Release Date: 02 Jul 2010
Genre: Drama
Language: Kannada
Certification: U
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Holi Snopsis:
Holi movie is about Devadasi system, which is still prevailing in the society. Venkatesh Prasad and Ragini Dwivedi are in lead roles.
Holi Kannada Movie Review:
Actress Ragini Dwivedi’s first Kannada film Holi, which has been delayed for long over some unknown reason, is now set to release this ‘holi’, a festival of colours. The movie has been directed by Shankar Sugganhalli and produced by Lalitha Shankaraling Sugganhalli and Rajashree under the banner Bhagyashree Cine Combines. Ragini Dwivedi and newcomer Venkatesh Prasad are playing the lead roles in it.
The Story : Holi movie is about Devadasi system, which is still prevailing in the society. Venkatesh Prasad and Ragini Dwivedi are in lead roles.
Along with ‘holi’ festival, the movie Holi deals with a serious problem like ‘Devadasi’ system (prostitution), which is still prevailing in India. The movie has a village story as its backdrop. Kannada dialect of Hubli-Dharwad is used in the movie. Director Shankar Sugganahalli has penned story and screenplay for the movie.
The story of the movie is that a girl is left in the name of god in a village. The rich person of the village is infatuated by her and he tries to harass her. Meanwhile, a young guy comes to help her. He becomes friend to her and ultimately falls in love with her. Who marries her will form the climax of the movie.
Kodur Padmanabh has cranked the camera and Amarpriya has scored music for the movie Holi, which has K Pradeep’s editing, Prof. GH Hanneradumath and Pundalika Kalliganoor’s lyrics and dialogues, Siddu’s stunts and Muralikrishna, Anand and Dayananda’s choreography. Shobharaj, Pavithra Lokesh, Doddanna, Karibasavayya, Padmaja Rao, Bank Janardhan and BC Patil are also in the cast.
‘HOLI,” an Indian film directed by Ketan Mehta, is set in what appears to be an Indian equivalent of one of our coeducational high schools, where the students live on campus and suffer the same frustrations of students their age all over the world. Most of the faculty members are dolts, the curriculum is out of touch with the students’ needs and the male students and female students lust after each other, but discreetly.
On this particular day, the students are upset because an annual religious holiday, celebrating ”the burning of evil” and God’s coming to the rescue of the faithful, is canceled in favor of the observance of the school’s Founder’s Day, a boring, very proper ceremony presided over by a visiting educator of immense pomposity.
”Holi,” directed by Ketan Mehta and based on a play by Mahesh Elkunchwar, seems sometimes to be a parody of conventional Indian films – as in a scene in the school cafeteria that turns into a rowdy but carefully choreographed song-and-dance number – and sometimes to be a serious melodrama about youth in protest.
Some of the dialogue is funny, as when several disenchanted young men talk about their fathers. One fellow reports that his dad, a contractor, has become successful by constructing buildings designed to collapse. Another brags that his father does even better because of the bribes he receives as a Government official, while a third, the son of a doctor, swears that his father makes his fortune by finding ever-new ways to keep people sick.
When one wayward student, standing on the dormitory roof, is asked what the school looks like from up there, he answers as if he were a young playwright: ”Like a factory that manufactures slaves, or a prison.”
The students’ general anger is made even more particular when they receive word that the school has decided to drop several liberal-arts courses in favor of business courses. By the time of the Founder’s Day ceremony, there’s no restraining them. After heckling the principal guest, who insists on speaking in English instead of Hindi, they pelt the man with garbage, provoking a melodramatic climax not easily supported by the quality of the fiction that precedes it.
The film, which the production notes report was largely improvised, is very decently and exuberantly performed by the nonprofessional actors. ”Holi” is, however, less interesting as melodramatic comedy than as evidence that kids in the third world are really no different from those in the first and second. These students have an additional burden: the remains of a dual identity imposed on them by Empire.
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