Watch Free Online Four Lions 2010 Movie Watch Latest Four Lions Hollywood Film Video, Download,Review Cast

Four Lions Hollywood Comedy Movie (2010)

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Cast And Crew
Starring: Benedict Cumberbatch,
Julia Davis,Kayvan Novak ,
Riz Ahmed ,Chris Wilson
Director:Christopher Morris
Writer:Jesse Armstrong, Sam Bain, Simon Blackwell, Christopher Morris
Studio:Warp Films
Genre:Comedy
Official Site:drafthousefilms.com,
facebook.com/fourlionsfilm, youtube.com/drafthousefilms
Rating:R for language throughout,
including some sexual references.
Runtime:1 hour 42 minutes
Release Date:November 5th, 2010
Movie plot Summary:
Four Lions tells the story of a group of British jihadists who push their abstract dreams of glory to the breaking point. As the wheels fly off, and their competing ideologies clash, what emerges is an emotionally engaging (and entirely plausible) farce. In a storm of razor-sharp verbal jousting and large-scale set pieces, Four Lions is a comic tour de force; it shows that-while terrorism is about ideology-it can also be about idiots.

Four Lions: Synopsis:
In a British city, four men have a secret plan. Omar (Riz Ahmed) is disillusioned about the treatment of Muslims around the world and is determined to become a soldier. This is the most exciting idea Waj (Kayvan Novak) has ever heard. Better still it's a no brainer because Omar does his thinking for him. Opposed to Omar and everyone else on earth is the white Islamic convert Barry (Nigel Lindsay). He'd realize he joined the cell to channel his nihilism - If he had half the self knowledge of a duck. Faisal (Adeel Akhtar) is the odd man out. He can make a bomb - but he can't blow himself up just now coz his sick dad has "started eating newspaper". Instead he's training crows to fly bombs through windows. This is what Omar has to deal with. They must strike a decisive blow on their own turf but can any of them strike a match without punching himself in the face?

Movie News:
Four Lions: Drafthouse Films Launches with Four Lions September 9th, 2010
Alamo Drafthouse CEO and Founder Tim League announced today that he is expanding the renowned Alamo Drafthouse brand into film distribution under the banner Drafthouse Films (DrafthouseFilms.com). The first film to be released under the new label will be Christopher Morris' astonishing new comedy Four Lions.
Four Lions is a whip-smart laugh out loud comedy that illuminates the war on terror through satire and farce. Blitzing the notion that a comedy about jihadists is a contradiction in terms, the film grossed an astounding $3 million pounds at the UK box office and was hailed by critics as "a brilliant film - astonishingly funny" causing "so many different kinds of laughter its almost incredible".



Writer director Christopher Morris based the idea on extensive research. "These cells have the same group dynamics as bachelor parties and five a side basketball teams. Plans are upset by arguments, egos, testosterone and idiocy. Terrorism is about ideology but it's also about doofuses."

Four Lions has taken the festival circuit by storm. Following its sell-out success as the buzz hit of the Sundance Film Festival, Four Lions packed the coveted closing night slot of South by Southwest, won the Independent Camera Award at Karlovy Vary and was voted Best Narrative Feature by audiences at the Los Angeles Film Festival.



"I've been a huge fan of Christopher Morris' comedic television and radio for years. To launch our new distribution label with what I consider to be a modern classic is a dream come true," said Tim League.

Four Lions will kick off a 10 city promotional screening tour with Christopher Morris in attendance in mid-October. The film is slated to release this fall in New York, Los Angeles and Austin and will expand wider in the following weeks.

About Four Lions:

Christopher Morris' Four Lions is a funny, thrilling comedy that illuminates modern jihadism through the prism of farce. It understands jihadists as human beings. And it understands human beings as innately ridiculous.

In a British city, four men have a secret plan. Omar (Riz Ahmed) is disillusioned about the treatment of muslims around the world and is determined to become a soldier. This is the most exciting idea Waj (Kayvan Novak) has ever heard. Better still it's a no brainer because Omar does his thinking for him. Opposed to Omar and everyone else on earth is the white islamic convert Barry (Nigel Lindsay). He'd realize he joined the cell to channel his nihilism - if he had half the self knowledge of a duck. Faisal (Adeel Akhtar) is the odd man out. He can make a bomb - but he can't blow himself up just now coz his sick dad has "started eating newspaper". Instead he's training crows to fly bombs through windows. This is what Omar has to deal with. They must strike a decisive blow on their own turf but can any of them strike a match without punching himself in the face?



Four Lions plunges us beyond seeing these young men as unfathomably alien. It undermines the folly of just wishing them away or, even worse, alienating the entire culture from which they emerge. The film is neither pro nor anti religious. The jokes fly out of the characters' conflicts, excesses and mistakes. Crackling with wit and tension, Four Lions is the essential response to our failure to engage with reality and a high toast to the idea that laughter is better than killing.

Four Lions comes to theaters November 5th, 2010 and stars Benedict Cumberbatch, Julia Davis, Kayvan Novak, Riz Ahmed, Chris Wilson, Alex Macqueen, Craig Parkinson, Preeya Kalidas. The film is directed by Christopher Morris.
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Watch Free Online Client 9: The Rise and Fall of Eliot Spitzer 2010 Movie Watch Latest Client 9: Hollywood Film Video, Download,Review Cast.

Client 9: The Rise and Fall of Eliot Spitzer Hollywood Movie (2010)

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Cast And Crew
Starring: Eliot Spitzer
Director:Alex Gibney
Writer:Alex Gibney
Studio:Magnolia Pictures
Genre:Documentary
Official Site:client9themovie.com
Rating: R for some sexual material, nudity and language.
Runtime:1 hour 57 minutes
Release Date: November 5th, 2010

Hollywood movie online English movie online Comedy movie Romantic movie online movie Review movie story Fantasy Movie Adventure Movie Client 9: The Rise and Fall of Eliot Spitzer Movie Client 9: The Rise and Fall of Eliot Spitzer Movie Client 9: The Rise and Fall of Eliot Spitzer Directed By Alex Gibney

Movie Plot Summary:
This documentary feature takes an in-depth look at the rapid rise and dramatic fall of New York Governor Eliot Spitzer. Nicknamed "The Sheriff of Wall Street," when he was NY's Attorney General, Eliot Spitzer prosecuted crimes by America’s largest financial institutions and some of the most powerful executives in the country. After his election as Governor, with the largest margin in the state's history, many believed Spitzer was on his way to becoming the nation's first Jewish President. Then, shockingly, Spitzer’s meteoric rise turned into a precipitous fall when the New York Times revealed that Spitzer - the paragon of rectitude - had been caught seeing prostitutes. As his powerful enemies gloated, his supporters questioned the timing of it all: as the Sheriff fell, so did the financial markets, in a cataclysm that threatened to unravel the global economy. With unique access to the escort world and well as friends, colleagues and enemies of the ex-Governor (many of whom have come forward for the first time) the film explores the hidden contours of this tale of hubris, sex, and power.



Client 9: The Rise and Fall of Eliot Spitzer: Synopsis:
Eliot Spitzer's meteoric rise turned into a precipitous fall when the New York Times revealed that Governor Spitzer - the paragon of rectitude - had been caught visiting high-priced call girls. As his powerful enemies gloated, his supporters questioned the timing of it all because as the Sheriff of Wall Street fell, so did the financial markets, in a cataclysm that threatened to unravel the global economy. With unique access to the escort world as well as friends, colleagues and enemies of the ex-Governor (many of whom have come forward for the first time) this film explores the hidden contours of hubris, sex, and power. From Oscar-winning director Alex Gibney comes the true story of the rapid rise and dramatic fall of New York Governor Eliot Spitzer – and it’s not at all what you read in the news.

Movie Review:
by Andrew Schenker on October 31, 2010
Relying on a bevy of circumstantial evidence and without proving much in the way of anything, Client 9: The Rise and Fall of Eliot Spitzer nonetheless hones in on a provocative and highly plausible thesis: that the investigation into the prostitution scandal that brought down former New York State governor Eliot Spitzer was a political hit job carried out at the behest of powerful Republican interests. At the very least, Alex Gibney's doc shows up the Bush-era Justice Department as an institution with seriously misguided priorities. While the DOJ declined to go after the Wall Street criminals that Spitzer made his name prosecuting as state attorney general, they wasted countless taxpayer dollars launching an investigation into a high-class prosecution ring, something not generally taken as the purview of the national government. Of course, there's no denying that Spitzer betrayed his trust and broke the law, but in the grand scheme of things, dallying with well-compensated hookers is a relatively harmless crime compared to the fraud perpetrated by men like ex-AIG CEO Hank Greenberg, whose case former U.S. attorney Michael J. Garcia dropped, only to later turn his investigative attention on the man who had built that very lawsuit, Spitzer himself.



Of course, the former governor was never charged with any crime (johns almost never are in such cases), but the news of Spitzer's involvement was somehow leaked to the press and given the public obsession with the private lives of its politicians and Spitzer's reputation as an "ethical" leader who had previously prosecuted prostitution rings, the story became the subject of sensationalist headlines in the daily tabloids and lead to inevitable calls of resignation. If there's one thing the public loves more than the downfall of a powerful figure, it's when that downfall is charged with a sense of comeuppance, an arrogant, unbending man brought down not only by his own hubris, but his hypocrisy as well. Still, as Gibney shows, there's more than one kind of hypocrisy. Interviewing Wall Street creep and former Spitzer target Kenneth Langone, the director finds the businessman consumed with hatred for the ex-gov, waxing moral about that man's activity while casually dismissing his own crimes. Similarly, Gibney cites the famous "D.C. Madam" case in which current Louisiana senator David Vitter was revealed as a client of an indicted prostitution ring, but was allowed to retain his congressional post, a consequence, the director speculates, of his conservative politics.



Still, as a film, Client 9 is not without its own hypocrisies—or, to put it charitably, inconsistencies of approach. Gibney rightly decries the public obsession with political figures' sex lives and the "hitmen" who make millions digging up this form of dirt. Although he errs in equating, for example, John Edwards's infidelities with Spitzer's illegal actions, the director seems to understand the importance of distinguishing between a politician's official policy and his personal actions, even if the two seem to be contradictory. And yet the film can't help but indulge in a certain fascination with the personal, lurid details that made the Spitzer case so popular with the public.

There's no getting around it: Client 9 is a slick piece of work, full of turgid proclamations ("Eliot Spitzer had taken the first step into his double life"), unnecessary switches in camera angles during interviews, and cutaways to symbolic images (get it, Wall Streeters are sharks!). And as long as Gibney sticks to the political (tracing Spitzer's heroic activity as attorney general, detailing the powerful enemies he made both in Manhattan and Albany, and charting the machinations involved in bringing him down), this aesthetic puffery proves only a mild distraction. But when the film inquires into the more sensationalist aspects of Spitzer's case (speculating on whether or not he wore socks while fucking, recreating an interview with his favorite prostitute about what his bedroom behavior was like), then the slick touches combine with the lurid subject matter to give the film the greasy feel of a New York Post cover story. Interviewing Spitzer himself, Gibney mostly avoids an officious inquiry into the personal, but when he asks the former governor what he learned about his wife's character during this experience, the question feels like an unfair intrusion, a groping after the type of access to a public figure's emotional life that the American populace has come to take for granted. Considering that Client 9 is dedicated to exploring the consequences of just that kind of access, it's unfortunate that Gibney can't bring himself to keep a more prudent distance from those very boundaries whose obliteration he aims to critique.

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