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The group of friends had all they would need for a successful Easter vacation; cabin, skis, snowmobile, toboggan, copious amounts of beer and a fertile mix of the sexes. Certainly, none of them had anticipated not returning home alive. However, the Nazi-zombie battalion haunting the mountains surrounding the aptly named Oksfjord had other plans.

up front I’ll tell you that ‘Dead Snow’ would have been twice as fun if I’d seen it in a crowd full of enthusiastic genre fans. Nonetheless, this Norwegian horror-comedy is one helluva blast. Granted, the zombies don’t fit well into the classic mold of “what a zombie should be” but that rule doesn’t really apply when the movie is played just as much for laughs as it is for scares. Most importantly, ‘Dead Snow’ is a crowd pleas-er and a bloody, corpse-cutting good time.

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Guru (KK Menon) is a smalltime car thief. Ganpat, who owns a dilapidated garage, is his partner-in-crime. Guru wacks cars and Ganpat (Dilip Prabhawalkar) gives them a make-over in order to sell them for tidy profits.

One night, while returning to his kholi, Guru chances upon a swank Mercedes parked outside a brothel, unattended. He steals the car and takes it to Ganpat. While working on the car they discover a sum of Rs. 1 crore in the boot. They are delirious with joy at the unexpected turn of events and start spinning dreams. Little do they know what lays in store - for the car and the money belongs to a vicious gangster/loan shark called Faujdaar (Anupam Kher)!

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Over the years, having been subjected to watching most of the crap, that B and C grade Bollywood films dish out week after week, I have actually started enjoying them. Deshdrohi for example was one of the funniest movies I have seen in my life; you can call it unintentional funny.

Hum Phirr Mileinge is one such film that could make a Bollywood fan laugh-out-loud at some of the sequences; it's that weird and stupid. The very first scene, which by the way is meant to make you laugh, has a woman looking at herself in the mirror, asking her husband how she's looking. To which, the man ridicules her to tears. You got to see it to believe it!

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After all the star-kid launches with the most recent one being Jackky Bhagnani's 'Kal Kissne Dekha', it's the launch of a rich-kid. The lead actress of Lets Dance, Gayathri Patel is the daughter of Arvind Patel, who owns a huge chain of motels in US. The film directed by Aarif Sheikh also stars Aqib Afzal and Ajay Choudhary.

Let's Dance is about Suhasini (Gayathri Patel) who gives direction in life to a group of street kids. She is a dancer who runs her own dance school and plays the catalyst in the story. Her dream though is to make it big in the film industry. Fighting every obstacle (read casting couch etc) that comes her way, she struggles with a hope to make it some day. Just then Neil (Ajay Chaudhary) enters her life and she falls in love.

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shq explores the relationship between two individuals as different from each other as chalk and cheese. No matter how many times they are pushed together, there are only fireworks...no fire. Viraj Shergill (Akshay Kumar) is a swashbuckling stuntman in Hollywood who lives by the mantra "women are only good for two things... making love & making love". Simrita Rai (Kareena Kapoor) is a firebrand who is more than able to stare down the most arrogant male with her caustic wit and sardonic tongue... her firm belief "there's no such thing as love".

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New York Bollywood Movie Review:Star cast, teaser and shooting locations

The teaser of the movie was screened with the release of 'Rab Ne Bana Di Jodi'. The movie stars - Katrina Kaif, John Abraham, Irfaan Khan and the latest trend these days, Neil Nitin Mukesh. The plot of the story is around Katrina Kaif, John Abraham and Neil Nitin Mukesh enjoying their life in New York. The shots are beautiful; they are shown hanging out together, shopping and having fun by parting. Overall, the trailer shows that these three are having a good time until an event changes the life completely and their lives fall apart. The event let the life of the three take a complete 360 degree turn. Irfaan Khan is playing the character of a cop, basically a crime investigator. He is the one turning the wheel of happiness to that of fear, suffering and terror.

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Eight year old Rameshwari’s father remarries and her life idyllic life is turned upside down with the entry of Kokoi who is nothing but pure evil. Kokoi uses black magic and tries every trick in the book to harm Rameshwari, but in vain since Rameshwari is protected by Maruti, a small boy with magical powers.

Realizing that Rameshwari would be weak without Maruti to protect her, Kokoi creates a misunderstanding between the two and Rameshwari ends up driving Maruti away from the house. With the eviction of Maruti, Kokoi is back to her evil plans. Director Manikya Raju’s Maruti Mera Dost hits the screens featuring Chandrachur Singh, Ritika Srivasatava, Eric Nanda, Sushmita Mukherjee, Vindoo Dara Singh and Murli Sharma.

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Michael Bay's "Transformers: Revenge of the Fallen" premiered at Tokyo and several people who were lucky enough to see the film are already posting their reviews. Below is one of these reviews that contains lots of spoilers. BIG SPOILERS. [via DonMurphy.net]

SPOILERS AHEAD:

Movie was incredible, I liked it much more than the first! More action, more robots, less humans! Though there are some lame sexual inuendos like Wheelie humping Megan's leg.

The VA thing in the credits was way too fast, sorry guys. The Fallen was Todd something. Welker does voice Soundwave, and Devastator too. Devastator has one line, screaming his name.

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The tragic story of French naïve painter Séraphine Louis aka Séraphine de Senlis (1864-1942), a humble servant who becomes a gifted self-taught painter. Discovered by prominent critic and collector William Uhde, she came to prominence between the wars grouped with other naïve painters like Henri Rouseau only to descend into madness and obscurity with the onset of the Great Depression and World War II.
"Seraphine" explores the relationship between the painter and an art collector. To make ends meet, Seraphine works as a maid for Madame Duphot, who rents an apartment to Wilhelm Uhde, a German art critic with an interest in modern and primitive arts.

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The Sniper
With budgets scaling back and the independent and social realist mini-industries gaining currency with their subject matter, the nonsense of films like "The Killer" has fallen by the wayside. "The Sniper," though, is a return to the roots that put Hong Kong's contemporary films on the map.
It must be said that there is a salacious element to "The Sniper" that will help it with local boxoffice. Co-star Edison Chen last year was embroiled in a sex-photo scandal (tame by standards anywhere but Asia) and was promptly driven from Hong Kong. His notoriety -- and absence from screens -- will generate buzz in Asia, but the film will probably remain a regional curiosity as far as theatrical release goes. Genre festival interest isn't out of the question.

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A panda cub is separated from his mother and eventually rescued by a young orphaned boy. As the boy struggles to protect the cub from people he believes would hurt it, the two form a strong bond even as the boy realizes that the best thing he can ever do for the cub is to help him find its way home.
This was a great article from CRIEnglish that talks about the films conception to what they hope the film will achieve for the rebuilding of Wolong Reserve. It covers pretty much everything except for how much the film took in its box office, and that I didn’t find in any articles yet. However, with its target audience, general goodwill towards pandas, and Disney working behind the scenes for distribution, it shouldn’t be so hard to earn back production costs.

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Subaru and her twin brother Kazuma share a dream in becoming ballet dancers, but their father discourages their passion. After Kazuma's death from a hereditary illness, dancing became Subaru's only happiness and she yearns to lose herself in dance. Her life takes a dramatic turn when she runs into cabaret owner Isuzu, who recognizes the talent in Subaru and trains her. But to become a professional ballerina, Subaru has to overcome harsher challenges than just merely satisfying cabaret drunkards.
A young girl finds a desperately-needed escape from a tumultuous past via professional dance, in this deeply emotional melodrama - a co-production of Japan, Singapore, Hong Kong and South Korea. Though merely 17 years old, Subaru bears on her shoulders the weight of a lifetime of trauma. Her mother and twin brother died long ago from the same hereditary illness, which left her dad lonely, depressed, isolated and incommunicative.

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After the failure of his career, his marriage, and his suicide attempt, world-class grouch Boris Yellnikoff, spends his days insulting the small children unfortunate enough to study chess with him and irritating his still-loyal friends with his never-ending tirades about the worthlessness of absolutely everything. A former Columbia Professor and self-proclaimed genius who came close to winning a Nobel Prize for Quantum Mechanics, Boris fancies himself the only one who fully comprehends the meaningless of all human aspirations, and the pitch-black chaos of the universe. As he readily admits, Boris is not a “feel-good person.”

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About the one of the most controversial illnesses in America today: Lyme disease. Most people think of Lyme disease as that thing you can catch from a tick bite, but few know the true graveness of one of the most dangerous epidemics currently afflicting people across the nation. Here, we examine not just the science of the bacteria that causes Lyme disease and the politics of the controversy but also the personal stories of those whose lives have been affected and nearly destroyed.
Well-researched investigative docu "Under Our Skin" examines schisms surrounding the diagnosis and treatment of Lyme disease, a near-epidemic in the U.S. Like Michael Moore's "Sicko," it reveals a controversial connection between conventional protocols, private patents, managed care and insurance companies that restrict consumer choice with huge consequences for patient care. Producer-director-writer Andy Abrahams Wilson ("Bubbeh Lee and Me") takes a creative, humanistic approach that makes the complex material dramatic and visually interesting. A natural for domestic cable, informative pic should have a long shelf life.

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Denied the tools of a Hollywood dream machine to naturalize the good life, indie film is forced to justify class privilege. Where Wes Anderson invites his audience to share in the absurdity of inherited wealth and Whit Stillman aestheticizes boundless yuppiedom, Rogers agonizes over his upper-crust circumstances.
Rogers shot compulsively around his parents' house in the affluent town of Wainscott in the Hamptons, home of the eponymous windmill which his mother (who was given to throwing out dark hints about inherited madness) apparently believed to be the literal incarnation of her own father.
Shown posing for her son's camera lounging in a lawn chair and sipping a drink while dressed in a mink coat in July -- and later clinging to the framelines, shrunken by cancer -- her ghost hovers over the well-appointed enclave which Rogers associates with summers filled with attractive bathing suit-clad women and dipsomania.
Meanwhile, in the movie-mad Hamptons community, Rogers, armed with his unfinished movie, began to acquire the legendary proportions of a home-grown Orson Welles carting around an uncompleted "The Other Side of the Wind."
Olch includes copious footage of Rogers rationalizing his duplicitous parallel affairs with two women who lived around the corner from each other, one being his lifelong partner and last-minute wife, shutterbug extraordinaire Susan Meiselas (who produced the film).
Detailed minutiae of the physical changes that befall Rogers, from the accidental and mildly heroic loss of three toes to the creeping melanoma that eventually killed him, find equal pride of place.