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Cast and CrewStarring: Steve Bisley,Kevin Harrington,
Ryan Kwanten,Tommy Lewis,Claire van der Boom
Director: Patrick Hughes
Writer: Patrick Hughes
Studio: Strand Releasing
Genre: Action, Thriller, Western
Rating: NR for not rated.
Runtime:1 hour 36 minutes
Release Date:November 5th, 2010
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Movie Plot summary:Young police officer Shane Cooper (Ryan Kwanten) relocates to the small country town of Red Hill with his pregnant wife Alice to start a family. But when news of a prison break sends the local law enforcement officers - led by the town’s ruling presence, Old Bill - into a panic, Shane’s first day on duty rapidly turns into a nightmare.
Enter Jimmy Conway, a convicted murderer serving life behind bars, who has returned to the isolated outpost seeking revenge. Now caught in the middle of what will become a terrifying and bloody confrontation, Shane will be forced to take the law into his own hands if he is to survive.
A taut thriller which unfolds over the course of a single day and night, and told with explosive action and chilling violence, Red Hill is a modern-day western played out against the extraordinary landscapes of high-country Australia.
Movie Red Hill Review:
Last weekend Ryan Kwanten’s Australian film, Red Hill premiered at the Berlin Film Festival. Now that it’s out there, it’s getting reviewed. Here are excerpts from three reviews, two favorable and one not so favorable. I hope that the good reviews keep on coming in because we really think this is going to be a good one.
Rugged landscapes, a sheriff’s posse and something spookin’ the livestock – these are solid Western ingredients, but Patrick Hughes’s brisk, inventive Red Hill gives them a new spin by placing them in a modern-day Australian police story.
Red Hill is a tour de force debut by commercials director Patrick Hughes and this labour of love should win him some international repute
This hugely entertaining cross-genre tale of a rural manhunt contrives to meld cop and cowboy elements into a rattling nail-biter. Unashamedly commercial, the film is destined to travel widely – helped by the current visibility of star Ryan Kwanten, from HBO’s True Blood – and will have a failsafe festival berth, especially in midnight-movie slots.
Atmospheric opening shots of mist-covered mountain country establish Red Hill’s classic Western flavour – and show us that we’re not in the usual flat terrain of Australian outback drama. Arriving in this landscape is Shane Cooper (the likeable, no-fuss Kwanten), a young city policeman married to Alice (Van Der Boom). A regular-bloke type, sensitive-souled and somewhat gauche, Shane has taken this posting because pregnant Alice has been advised she needs country air and (ha!) peace and quiet.
In 1976, John Carpenter famously turned John Ford’s Western Rio Bravo into his thriller Assault On Precinct 13. Here Hughes reverses the process, folding a modern cop drama back into the iconography of the Western. He also retains some Carpenter-style pulpy elements – ample bloodshed, an apparently indestructible silent nemesis, plus lashings of atmospheric darkness.
At times, the film skirts perilously close to predictability. But to see old-school conventions confirmed rather than subverted proves to be a source of much pleasure – and makes it all the more enjoyable when Hughes throws a witty curveball, as he does late in the film when a hugely incongruous deus ex machina stalks onto the scene.
The pay-off is predictable, as Shane learns that the bad guys aren’t always who they seem, but it’s utterly satisfying. Red Hill is a tour de force by commercials director Hughes – making his feature debut as director, producer, writer and editor – and this labour of love should win him some international repute. Tim Hudson’s widescreen photography capitalises magnificently on the poetic terrain of Victoria’s high country. The film’s one, forgiveable flaw is that the cod-Morricone touches in Dmitri Golovko’s soundtrack are sometimes laid on with a trowel......
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