Guy and Madeline on a Park Bench Hollywood movie (2010)
Guy and Madeline on a Park Bench | Guy and Madeline on a Park Bench Online Watch | Guy and Madeline on a Park Bench Movie Watch Online Free | Guy and Madeline on a Park Bench (2010) Online | Guy and Madeline on a Park Bench Watch Online | Guy and Madeline on a Park Bench Movie Watch Online Free | Guy and Madeline on a Park Bench (2010) Film Guy and Madeline on a Park Bench Online Free | Free Movie Online Guy and Madeline on a Park Bench (2010) | Movie Guy and Madeline on a Park Bench Online Watch Guy and Madeline on a Park Bench | Guy and Madeline on a Park Bench Movie Watch Online Free | Online Guy and Madeline on a Park Bench (2010) | Guy and Madeline on a Park Bench Watch Online | Guy and Madeline on a Park Bench Hollywood Movie | Watch Hollywood Movie Guy and Madeline on a Park Bench
Cast And Crew
Cast: Jason Palmer,Desiree Garcia,Sandha Khin
Frank Garvin,Andre Hayward
Alma Prelec,Bernard Chazelle
Eli Gerstenlauer,Keith Gross-Hill,Jerry Quinn
Moreen McCarthy,Willie Rodriguez
Zerek Palmer,Beverly Palmer,Sharee Palmer
T.J. Palmer,Joe Della Penna,Vera Meyer
Kelly Kaleta,Vanessa Pope,Kevin Harris,
Elizabeth Tingue,Gonzalo Digenio,Eddie Wakes,
Karen Adelman,Suzanne Bouffard,Kelly Burk,
Carolyn Glicklich,Chris Rowse
Director: Damien Chazelle
Producers: Mihai Dinulescu,Jasmine McGlade,
Mihai Dinulescu,Evangelo Koehler,
Richard Ruiz,Arleen McGlade,
J. Mark Inman,W.A.W. Parker
Writer: Damien Chazelle
Choreography: Kelly Kaleta
Film Camera:Damien Chazelle
Music:Justin Hurwitz
Lyricist:Damien Chazelle
Theatrical Release: 11/5/2010
Runtime:1 hr 22 mins
Rating:NR
Genre: Musical
Hollywood movie online English movie online Comedy movie Romantic movie online movie Review movie story Fantasy Movie Adventure Movie Guy and Madeline on a Park Bench Movie Guy and Madeline on a Park Bench Movie Guy and Madeline on a Park Bench Directed By Damien Chazelle
Synopsis:
For his feature debut, writer-director Damien Chazelle has fashioned a contemporary musical, shot in 16mm black-and-white on the streets of Boston and New York. During the film's opening credits, we learn that Guy (professional musician Jason Palmer), a trumpet player, and Madeline (Desiree Garcia), a grad student looking for work, have broken up. The film then flashes back briefly to show how Guy's dalliance with Elena (Sandha Khin), an outgoing young woman he met on the subway, caused the breakup. The film follows Guy and Madeline as they try to make their way, post-breakup. Guy continues to play his gigs, though Elena doesn't seem quite as interested in his music as Madeline was. Madeline finds a job at the Summer Shack restaurant, pines for Guy, but eventually decides to leave Boston for New York.
Guy and Madeline on a Park Bench features music by Justin Hurwitz and a score recorded by The Bratislava Symphony Orchestra. Chazelle, who is also a jazz drummer (he appears briefly in the film), originally made the film as a short for his senior thesis at Harvard, where he studied under documentary filmmaker Robb Moss. Chazelle and his cast and crew worked on the film for three years, as financing permitted, to expand it into a feature. Guy and Madeline on a Park Bench had its World Premiere at the 2009 Tribeca Film Festival, where it was shown in the Discovery section.
Summary:
A full-fledged song-and-dance musical, Guy and Madeline on a Park Bench tells the story of two separated lovers, a young jazz trumpeter and an introverted woman, who slowly wind their way back into each other's lives through a series of romances and near-romances punctuated by song.
Movie Review:
Damien Chazelle’s affectionate black-and-white musical begins at an end—with the breakup of the titular characters (Palmer and Garcia), an event we see from both of their harmonically opposed vantage points. Waitress Madeline views the world as if it were scored by a giant orchestra and ruled by the logic of a Jacques Demy film (in the best scene, she and her coworkers do a gloriously infectious tap dance). Trumpet player Guy is more of a raw outcast, moving between his spare apartment and the hepcat back alleys of Boston’s jazz scene. The Cassavetes-circa-Shadows influence is unmistakable.
That the duo will work their way back to each other is never in doubt, although Chazelle doesn’t succumb to easy sentiment. If anything, he moves too far in the other direction, aiming for a wizened ambiguity that doesn’t entirely come off. The way the film deals with Guy’s rebound lover (Khin) is meant to be sympathetic, deepening her character beyond a one-dimensional third wheel, but it plays half-baked and strangely creepy. And you can really feel the gears grinding when Guy toots a reconciliatory ditty for Madeline—the rough-and-tumble handheld camerawork seems to be re-e-e-e-e-eaching for an epiphany that Chazelle doesn’t yet have the chops to achieve.
Watch Movie Video:
No comments:
Post a Comment