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Cast And CrewCast: Julie Sokolowski,Yassine Salim,
Yassine Salihine,David Dewaele,Karl Sarafidis
Karl Sarafidis,David Dewaele
Directed By: Bruno Dumont
Written By: Bruno Dumont
Distributor: IFC Films
Genre: Art House & International, Drama
Rated: R
Running Time: 1 hr. 42 min.
In Theaters: Dec 24, 2010 Limited
Hollywood movie online English movie online Comedy movie Romantic movie online movie Review movie story Family Movie Fantasy Movie Hadewijch English Movie Hadewijch Directed By Bruno Dumont
Synopsis:
Hadewijch, a novice nun, shocks the mother superior of her convent with her ecstatic blind faith, and is kicked out of the order. Hadewijch becomes... Hadewijch, a novice nun, shocks the mother superior of her convent with her ecstatic blind faith, and is kicked out of the order. Hadewijch becomes Celine again, a young Parisian girl and daughter of a diplomat, and is led down dangerous paths in the real world, balancing between grace and madness in her rage and passionate love for God.
Movie Review:
Bruno Dumont is not into virtuousness. His studies of spiritual struggle in the gang movie The Life of Jesus, the murder mystery Humanité and now Hadewijch—the name taken by Celine (Julie Sokolowski), a middle-class French girl who enters a convent to pursue her faith—pushes spirituality to the extreme. His characters do startling, unnerving things before achieving grace; nearly lost, they confound traditional Christian expectation. This isn’t an era that rewards devout popular culture, yet Dumont’s approach also challenges skeptics; they cannot indulge their lack of faith when Dumont’s epiphanies eventually do arrive. The most unlikely—and sometimes unlikable—characters receive the ultimate manifestation of love.
Celine’s journey goes through religious devotion that is actually a form of fanaticism. In the boldest provocation since Todd Solondz’s Life During Wartime, Dumont links her struggle to the fanaticism of Muslim terrorists. Hadewicjh is really a story about psychological and spiritual displacement; through religion, Dumont gets at the irrational beliefs that define contemporary political intransigence. If our left-biased media was truly intellectually serious, Hadewijch, Life During Wartime and Marco Bellocchio’s Vincere would have been the most discussed and dissected movies this year because they go scarily deep into the essence of political motivation.
Dumont examines true politics when the Mother Superior who expels Celine advises, “There is no need to be cut off from this world in order to be close to God.” Celine’s self-righteousness is disparaged as, “You’re a caricature of a nun,” which is a rebuke put in sharper context when she falls in with an extremist Iman, Nassir (Karl Sarafidis), living in the banlieues. “We can see Paris from here,” he says with the Eiffel Tower in the distance, a potential target.
Political critique occurs within Dumont’s transcendent spiritual poetry. His rigorous visual style is also a study in Bresson-like detachment and mystery. Celine is first seen trudging on slanted ground through rough woods, contrasted with an ex-con (David Dewaele) doing construction work in the cathedral courtyard. In the city, she befriends Muslim outsiders and dates an autistic boy named Yassine (Yassine Salim) who can’t make eye contact, a perplexing figure of God’s lowliest. At their first rendezvous, they watch a shirtless punk band perform before a transfixed congregation. Bizarre and haunting, the scene hails Bresson’s great youth elegy The Devil Probably.
Hadewijch goes from austere images of a wintry world to remarkably beautiful images of post-rainfall lushness. From desolation to revelation, humanism becomes visible in every living thing. Eccentric auteurs claiming profundity come and go, and so does Dumont’s inspiration, but the power of Hadewijch’s climax proves he is the real thing.
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