Autograph Bengali Romantic Movie 2010
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Cast and CrewCast : Prosenjit Chatterjee,
Nandana Sen, Indraneil Sengupta,
Rudra Prasad, Sengupta, Piyush Ganguly etc.
Director : Srijit Mukherjee
Music Director: Debojyoti Mishra & Anupam Roy
Singers : Rupam Islam, Shreya Ghoshal,
Shankar Mahadevan, Anandee Basu,
Saptarshi Mukherjee, Priyam,
Mukherjee, Anupam Roy
Lyrics : Anupam Roy, Srijato and Srijit Mukherjee
Editing : Bodhaditya Banerjee
Release date: 14 October 2010
Running time: 120 minutes
Banner : Shree Venkatesh Films in Association with Cinergy
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Movie Plot Summary:
Srijit’s Autograph is basically a film within a film that attempts to showcase the moods and character of one particular superstar – Arun Chatterjee and at the same time it ha s also tried to show the dark tales behind the stardom.
Movie Detail:Autograph, a Bengali film, is produced by Shrikant Mohta and Mahendra Soni of Shree Venkatesh Films, the makers of Chokher Bali, Raincoat and Iti Mrinalini; in collaboration with Madhu Mantena, the producer of Ghajini and Rann. It marks the debut of Srijit Mukherji as a writer/director and stars the reigning matinee idol of the Bengali Film Industry, Prosenjit Chatterjee, the internationally acclaimed actress Nandana Sen and the emerging new face of Bengali parallel cinema, Indraneil Sengupta. The plot revolves around three lives - that of a superstar, an young director and a theatre actress - and how their coming together during the process of making a film, changes them forever... The film is also a humble tribute to Satyajit Ray's Nayak and is expected to release in September 2010.
This film is supposed to be a tribute to both Ray and Uttam Kumar as it is on the lines of Nayak. In fact so much so the central character of the film is called Arun Chatterjee.The matinee idol is an arrogant man and at the peak of his career. To prove a point to his detractors and that he is perpetually one-up on Destiny, he accepts the songless, middle-of-the-road script is offered by the director.
We also have a theatre actress who lives in with the director, and who gets cast as the journalist in the film within the film. Here onwards, the film gets split into two parallel storie
Movie Review:The young theatre actress gets back to rehearsing her stage part in front of her video cam when her film is over and ready for release. Arun Chatterjee drops in suddenly and pours his heart out in a moment of alcoholic vulnerability. She forgets to switch the video cam off. The hero’s outpourings get recorded to become ‘breaking news’ on a television channel the following night, unknown to the theatre actress. The three worlds – the world of Arun Chatterjee, the world of Shubhobrata Mitra, and the world of Srinandita fall apart, collapse and break down only to begin again, differently and sadly. Some of this sadness spills over and you carry bits and pieces of it out of the theatre. “I am Arun Chatterjee. I am the industry,” is the superstar’s favourite one-liner. It also underwrites the anxiety and the tragedy that underlie the statement.
camera is perfect chemistry for the story he captures on his camera – closing in on the swift changes in the facial expressions of the hero, the medium shots of Srinandita teaching her boyfriend how to use chopsticks, or getting into cushion fights, or, sharing in the gay camaraderie of lovers. The scenes showing Srinandita in semi-silhouette waiting at the station for the train to take her to some unknown destination as the camera cuts to close in on the bound script of the film she has left behind on a bench are moving. The flux in the relationship is in direct contrast with the lovey-dovey togetherness of the married couple enacted sparklingly by Sohini Pal and Dhruv Mookerji. The nightmare scene captured in diffused shots with white-cloaked ghosts from Arun’s past gliding away in silence as if in limbo is another masterful stroke. Arun’s captivity within his synthetic image is tellingly depicted through the massive sketches and portraits that surround the walls of his flat. Beautiful top-angle shots taken from a long distance show the hero driving along a national highway, the lights flashing along the way dotting the darkness of the night. A bunch of white pigeons in flight pass across in the other direction, one after another, of their own volition, free from the trappings the hero is bound by.
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