Sunday, May 30, 2010
Watch free online Nannavanu (2010) Kannada movie Trailer Mysowood Film review cast photos
Nannavanu Kannada Romantic Movie 2010
Cast and Crew
Cast : Prajwal Devaraj,
Andritha Ray
Director : Srinivasa Raju
Music Director : Ilayaraja
Producer : Tulasigopal
Lyrics : V Nagendra Prasad
Release Date: 28 May 2010
Genre: Romance
Language: Kannada
Certification: U
Kannada movie online Mysowood movie online Comedy movie Romantic movie online movie movie movie review movie story free Nannavanu Kannada Mysowood Film The film Directed by Srinivasa Raju.
Movie Detail And Story:
Nannavanu' by director Sreenivasa Raju is neither an intense love story nor a reincarnation story. It is just an ordinarily narrated story with too many cliched elements.
The first half of the film really tests your patience. What is supposed to be comedy is nothing but a senseless narrative of crude jokes. When you feel that the second half is coming to grips, you are subjected to more torture in the form of a rather unconvincing flashback.
You feel terribly disappointed watching this film as it does not have a credible story or a believable script, but only confused sequences. Raju should have worked hard on the script instead of adding illogical sequences in his screenplay.
The only consolation is that there is not much gore and bloodshed in the film despite it being a reincarnation revenge drama.
Music director Ilayaraja has created two pleasing members. Komal, who plays a comic role, tries to evoke some laughter in his sequences, but they are not well-written either.
In the film, Bharadwaj is a young advocate who gets only silly, petty cases, adding to the comedy quotient. And then he gets a big case for a fee of Rs.50 crore from Sanjana, who has nightmares about her death in her previous birth.
Later it is revealed that Sanjana and Bharadwaj were lovers in their previous birth and were killed by the present chief minister of the state. In a courtroom drama, Bharadwaj gets to the bottom of the truth and wins Sanjana's heart as the two lovers get united in this birth too.
To be fair to Prajwal, one must say that he has shown sparks of talent in the film. He comes out with a decent performance. Aindrita is a good choice for the role and she ad to the glamour quotient.
Music maestro Ilayaraja has composed two good songs in 'Muththuththaare Muththamma' and 'Hey Maamu'.
'Nannavanu' is an ordinary fare. You can maybe watch it once for the pair of Prajwal and Aindrita.
Nannavanu Music Review:
Recently, a weekly magazine suggested that Ilaiyaraaja is clearing his old stocks by signing Kannada films at will. But listening to the songs of Nannavanu, you will know that that report is false; because Ilayaraja’s old stock must have been far better than what he has dished out here in Nannavanu! The album is average; and although a couple of songs painfully bring back the memories of Ilaiyaraaja’s old glory, they cannot save the album from being what it is; average.Ilaiyaraaja has seen better days.Denna Dennana: Just one look into this song and you’ll understand why A. R Rahmnan nudged out Ilaiyaraaja from his musical empire in Tamil film industry. In spite of his musical genius, Ilaiyaraaja usually misses a beat or two when to comes to score the fast numbers; a blemish that was exploited gleefully by Rahaman. Vijay Yesudas’ incongruous voice doesn’t help this track either.Devadhi Deva: Surprise surprise! Ilaiyaraaja is now in his familiar terrain with SPB rendering a classical number. The song is ok, but surprisingly lacks that magical touch of Ilaiyaraaja. Not much playing around with the instruments and not much pleasant deviations in the tune either. A “Me too” track.Enidu Enidu: Ilaiyaraaja is back! This peculiar tune with trademark Ilaiyaraaja instrumentation kindles up the lost hope in you. The world is beautiful once again. Sriram and Bela, the singers of this track do exactly what is told to them. Nothing less, nothing more.
Hey Mamu: The analysis used in the Denna Dennana applies for this too. There is one little difference though. The combination of Tippu, Vijay Yesudas and Kartik make the song sound a lot better than it actually is.Modalane Bari: The song opens with great promise, but the track loses its ‘track’ as it progresses, with only the rhythmic beats holding it together till the end. SPB and Bela do their best, and succeed somewhat. You’ll love this song (and in many ways, this album) only if you are a diehard fan of Ilaiyaraaja.Muttuttara Muttamma: This is the best track in the album, although Ilaiyaraaja’s nasal singing (especially in high pitch) makes sure that you do not add it to your favorites list as yet. But the rhythm, the foot tapping tune and the repeat value are all there. Bela gets it right this time like never before in this album. Enjoy.Om Shivoham: The first few seconds of this song convince you that this is a song of some man-eating tribe who have manifested from the deep jungles of Amazon forests. But fret not; SPB soothes you down with his devotional words. But not for long, as this is probably the most forgettable song of this album as even the evergreen SPB is made to look bad here.
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