Kaiji: Japanese Thriller Movie 2009
Jinsei gyakuten gemu
Cast and Crew
Starring: Tatsuya Fujiwara, Yuki Amami, Taro Yamamoto, Ken Mitsuishi, Suzuki Matsuo, Kenichi Matsuyama, Kei Sato, Teruyuki Kagawa, Ryushin Tei
Director: Toya Sato
Writers: Nobuyuki Fukumoto ,Mika Omori
Length: 120 mins
Date of release: 10th October, 2009
Language:Japanese
Genre: Drama/ Thriller
Country: Japan
Production Company: Kodansha/ Nippon Television Network Corporation (NTV)
Kaiji Film Synopsis :
26 years old part-time worker Kaiji Ito (Tatsuya Fujiwara) becomes a guarantor for his friend who borrows money from a finance company. One day his friend goes missing and he is forced to be responsible to pay off the debt.Watcho nline Movie Trailer free Kaiji: Jinsei gyakuten gemu Japanese Hollywood film.The film Directed by :Toya Sato
Endo (Yuki Amami), the vice-president of the finance company approaches him to collect the money. Knowing that he is unable to pay off the debt she offers him to settle the debt in 10 years installment plan or getting involved inside a gambling boat for one night. Kaiji accepts the gambling challenge and it is a fight-or-die battle to reverse his life’s fortune…
Kaiji Japanese Movie Review :
Kaiji Ito moves to Japan after graduating from high school. Unable to find a job and frustrated with society at large, Kaiji spends his days gambling, vandalizing cars and drinking booze. Two years later and his life no better, a debt collector named Endo arrives to collect money, offering two choices to Kaiji: spend 10 year paying off his loan or board a gambling boat for one night to repay his debt and possibly
If you are really thirsty and you drink a beer, you have to close your eyes, look to the heavens, ooh and ah, fall to your knees, and declare out loud how damn GOOD it tastes, all the while talking to yourself. You know, like in a beer commercial.
The bad news is, director Toya Sato has escaped from that parallel universe into ours, and brought this clunking, tawdry, disjointed insult to the proud tradition of Japanese cinema with him.
The story, such as it is, is that Kaiji has a huge gambling debt and his life is going nowhere. That leads him to becoming the plaything of a misanthropic multi-billionaire building a nuclear shelter using slave labour and with a penchant for life-and-death gambling games.
If film is stories told by pictures, and the Japanese are a non-verbal culture, could someone please tell me why there is so much TALKING in this film? Kaiji crosses a narrow bridge 200 meters in the air. He looks behind to see that his friend has fallen. The audience can see he has fallen. But Kaiji tells us: "He has fallen." Endo watches a five-card game. The players play three cards, and each play is a draw. They have two cards left.
We can see this, but somehow we get to hear Endo's thoughts, which tell us: "After three cards played it is a draw. It is down to the last two cards." Who exactly is this insipid narration for? Is there a retarded baboon wearing earplugs and a blindfold sitting at the back of the theatre that Sato felt the need to accommodate? I have given only two examples, but the whole film is like this. The most glaringly obvious action is either replayed, or explained verbosely by one character to another.
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